Liminal Performances: Unveiling the Logos, Revealing the Mythos

Dialogue and Universalism 15 (3-4):161-167 (2005)
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Abstract

In this paper I will attempt to show that the next step in acting methodology is to move from psychological cognition to meditative thinking—Logos, giving examples of how that Logos becomes word and is then revealed in the text, play or story—Mythos

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12345792

DOI

10.5840/du2005153/454

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