The Sublime

New York: Cambridge University Press (2018)
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Abstract

This Element considers Kant's account of the sublime in the context of his predecessors both in the Anglophone and German rationalist traditions. Since Kant says with evident endorsement that 'we call sublime that which is absolutely great' and nothing in nature can in fact be absolutely great, Kant concludes that strictly speaking what is sublime can only be the human calling to perfect our rational capacity according to the standard of virtue that is thought through the moral law. The Element takes account of the difference between respect and admiration as the two main varieties of sublime feeling, and concludes by considering the role of Stoicism in Kant's account of the sublime, particularly through the channel of Seneca.

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Author's Profile

Melissa M Merritt
University of New South Wales

Citations of this work

18th century German aesthetics.Paul Guyer - 2008 - Stanford Encyclopedia of Philosophy.
Murdoch and Kant.Melissa Merritt - 2022 - In Silvia Caprioglio Panizza & Mark Hopwood (eds.), Murdochian Mind. New York, NY: Routledge. pp. 253-265.
FORUM on M.M. Merritt, Cambridge Elements: The Philosophy of Immanuel Kant. The Sublime.Giulia Milli (ed.) - 2023 - Lebenswelt. Aesthetics and Philosophy of Experience.

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References found in this work

Virtue and Reason.John Mcdowell - 1979 - The Monist 62 (3):331-350.
Two kinds of respect.Stephen L. Darwall - 1977 - Ethics 88 (1):36-49.
Virtue and Reason.John McDowell - 1997 - In Roger Crisp & Michael Slote (eds.), Virtue Ethics. Oxford University Press.

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