Kantian Review 17 (3):479-511 (2012)

Authors
Sandra Shapshay
Hunter College (CUNY)
Abstract
Schopenhauer singles out Kant's theory of the sublime for high praise, calling it , yet, in his main discussion of the sublime, he ridicules Kant's explanation as being in the grip of scholastic metaphysics. My first aim in this paper is to sort out Schopenhauer's apparently conflicted appraisal of Kant's theory of the sublime. Next, based on his Nachla against prevailing scholarly views – as a transformation of rather than as a real departure from the Kantian explanation. Finally, I suggest that my interpretation of Schopenhauer's theory of the sublime has far-reaching consequences for a proper understanding of his views on freedom
Keywords beauty   freedom   Kant   Schopenhauer   sublime aesthetics
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DOI 10.1017/s1369415412000180
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References found in this work BETA

The World as Will and Representation.Lewis White Beck - 1959 - Philosophy and Phenomenological Research 20 (2):279-280.
Kant and the Claims of Taste.Eva Schaper - 1979 - Journal of Aesthetics and Art Criticism 38 (2):198-200.
Awe or Envy: Herder Contra Kant on the Sublime.Rachel Zuckert - 2003 - Journal of Aesthetics and Art Criticism 61 (3):217–232.
What is Claimed in a Kantian Judgment of Taste?Miles Rind - 2000 - Journal of the History of Philosophy 38 (1):63-85.

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Citations of this work BETA

The Bloomsbury Companion to Kant.Dennis Schulting (ed.) - 2015 - Bloomsbury Academic.
Schopenhauer and the Malaise of an Age.Jordi Cabos - 2016 - Philosophy and Social Criticism 42 (1):93-113.

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