Kantian Review 17 (3):479-511 (2012)
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| Abstract |
Schopenhauer singles out Kant's theory of the sublime for high praise, calling it , yet, in his main discussion of the sublime, he ridicules Kant's explanation as being in the grip of scholastic metaphysics. My first aim in this paper is to sort out Schopenhauer's apparently conflicted appraisal of Kant's theory of the sublime. Next, based on his Nachla against prevailing scholarly views – as a transformation of rather than as a real departure from the Kantian explanation. Finally, I suggest that my interpretation of Schopenhauer's theory of the sublime has far-reaching consequences for a proper understanding of his views on freedom
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| Keywords | beauty freedom Kant Schopenhauer sublime aesthetics |
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| DOI | 10.1017/s1369415412000180 |
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References found in this work BETA
The World as Will and Representation.Lewis White Beck - 1959 - Philosophy and Phenomenological Research 20 (2):279-280.
Kant and the Claims of Taste.Eva Schaper - 1979 - Journal of Aesthetics and Art Criticism 38 (2):198-200.
Awe or Envy: Herder Contra Kant on the Sublime.Rachel Zuckert - 2003 - Journal of Aesthetics and Art Criticism 61 (3):217–232.
What is Claimed in a Kantian Judgment of Taste?Miles Rind - 2000 - Journal of the History of Philosophy 38 (1):63-85.
Kant and the Experience of Freedom: Essays on Aesthetics and Morality.Karl Ameriks - 1993 - Ethics 105 (1):207-209.
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Citations of this work BETA
Schopenhauer’s Aesthetics and Philosophy of Art.Sandra Shapshay - 2012 - Philosophy Compass 7 (1):11-22.
Schopenhauer and the Malaise of an Age.Jordi Cabos - 2016 - Philosophy and Social Criticism 42 (1):93-113.
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