Journal of Aesthetics and Art Criticism 61 (3):217–232 (2003)

Rachel Zuckert
Northwestern University
I present and evaluate Johann Gottfried Herder's criticisms of Kant's account of the sublime and Herder's own theory of the sublime, as presented in his work, Kalligone. Herder's account and criticisms ought to be taken seriously, I argue, as (respectively) a non-reductive, naturalist aesthetics of the sublime, and as illuminating the metaphysical, moral, and political presuppositions underlying Kant's (and Burke's) accounts of the sublime.
Keywords sublime  Kant  Herder  aesthetic realism
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DOI 10.1111/1540-6245.00108
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The Sublime.Melissa McBay Merritt - 2018 - New York: Cambridge University Press.

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