Abstract

"Painting in the female," the story of a class, the older literature as the Tang Dynasty "loose window Miscellany" and "Northern Qi book", then there is seen in the Song, Ming and Qing novels, collect and record are often found in modern times the stories. Which detailed the story or rewrite, rewrite, involves: Chronicles of the Spirit changing perceptions of the outcome of the story added, actor identity shifts. All these rewriting, making love story, the theme from the people of God into what goes around. In addition, from the history of the "painting women," the story can be found painting beautiful map of the carrier subject to change from time to time by painting the cloth on the walls, into a draw in scrolls, scraps of paper, such a change, fits the development of Chinese painting process, showing that folk tales rewritten, often with real lives. The category of stories like 'Girl-in-Painting' has been seen in some documents, such as "Note of Sueng Chang" and "The history of the Bei-Chi" in Tang Dynasty. Later it also has seen in some fictions sketchbook developed in Song Dynasty, Ming Dynasty and Qing Dynasty, as well as in the modern collections recorded from legends or seniors. Some plots of the story are revised in different versions including the concepts of the spirits from dynasty to dynasty, the amending of extension in the end of the story, and the transition of the leading man's identities. According to the revised plots, the main idea of ​​the story is reformed into another thesis that people would have a positive payoff if they help others or do good things. In addition , materials used to paint the picture were changed from in the cloth, silk, or on the wall to in the paper or in the scroll in different dynasties. The changing of materials accords with the development of Chinese painting craft. So it can be said that the revision of the folklore is often highly connected to the development of people's life