An Interpretation on Strange Tales of a Lonely Studio • Wang Sima to Study the Relations between the Ancient Chinese Attitudes to the Foreigners and the Cavalier Culture

Nankai University (Philosophy and Social Sciences) 1:97-103 (2010)
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Abstract

"Strange • King Sima" emergent Wang Yu Ji Yi with counterfeit Takeo clothes to trick clothes Yi, Yi served to charm the hero, the gallant culture directly from the Sui and Tang dynasties. Han Dynasty as "barbarians serving pride" for the performance of the centralized position of prestige, medieval Buddhist Translation contest for gambling technology is the story motif another source. Ming extraordinary Takeo Central Plains to the north of the aliens fear of war, may have an impact on PU. Although the public interested in the background and Po "Northern people" really refers to dilute, the main character's actions reveal the embarrassment of their situation, suggesting a general frustration and decrees from the court's stupid uncertain, reflecting the demise of the Ming Pu deep thinking. Wang Jiyu had been described as a hero in Strange Tales of a Lonely Studio. Wang Sima that he conquered the barbarians by his courage, his trickeries and his charisma which came from the cavalier culture during Sin-Tang period. The stories that the heroic spirit brought the barbarians to subjection in Han Fu as a synbo1 of the central authority empire originated from the story that a competition in martial skills for gambling in the Buddhist Scriptures. The generals from the Central Plains frightened the Northerners in Ming dynasty which might also influence Pu Songling. Even Pu Songling tried to weaken the background of Wang Jiyu, it also reflected his deep reflection on the decline of Ming dynasty

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