Abstract

The order which Schopenhauer follows in discussing individual arts - architecture, visual arts, poetry, and music - is dictated by his metaphysics. Thus, as with Hegelian aesthetics, the aesthetics of Schopenhauer presupposes a metaphysics. The task of philosophy, Schopenhauer claims, is to provide an answer to the problem of existence - an answer which would be sufficient for always. Strangely enough, his answer differs considerably from that of Hegel. They both strive for a complete and permanent explanation of reality, yet their conclusions apparently contradict each other. Is there any reconciliation possible between Schopenhauer and Hegel that does justice to both philosophers? Is there any meta-metaphysical ground on which we can establish the apparent disagreement between them as merely illusory? These are certainly problems to raise if one does not wish simply to enumerate the different world views of the two philosophers, but find a philosophical meaning to their difference.