What are intuitions? Do they exist as distinctive mental states? Do they have an epistemic function? Can we discern specific features that characterize intuitions? Questions like these are widely d...

In this paper I aim to test a general interpretation of television series as narrative epics, in the sense defined by Aristotle’s Poetics and canonised by Renaissance literary theorists.

This paper focuses on Schopenhauer’s On the Will in Nature (1836), a book which is generally underestimated by scholars interested in Schopenhauer’sphilosophy. This essay analyses its genesis in Schopenhauer’s manuscripts, examines its role in Schopenhauer’s thought and its relationship with The World asWill and Representation, and locates its content and meaning with reference to the philosophical and scientific context. Aim of the article is a better understanding of Schopenhauer’s treatise, and such a scope is pursued by accurate insight of its (...) central theme: the notion of Bestätigung, that is the scientific corroboration of the philosophical knowledge. (shrink)

The paper analyses Schelling and Schopenhauer’s conflicting views on intuition within the context of German classical philosophy and provides an interpretation of their differences. Moreover, the paper intends to fill a gap in the literature, by explaining how Schopenhauer grounded intuition in aesthetics and ethics on feelings and mysticism. After the Introduction, Section 2 summarizes Kant’s epistemology and its role in the subsequent discussions on intuition, and Sections 3 and 4 focus on Schelling’s intellectual intuition and Schopenhauer’s account of different (...) kinds of intuition. Sections 5 and 6 analyse how Schopenhauer argued that feelings and mysticism explain metaphysical insights in aesthetics and ethics. Section 7 sums up the main contributions of this paper through a comparative overview of Schelling and Schopenhauer’s respective accounts of intuition. (shrink)

The paper focuses on Schopenhauer’s idealism and investigates how its elaboration was related not only to Kant but also to Berkeley – a theme generally overlooked by scholars. Schopenhauer viewed B...

Dans son œuvre, Schopenhauer a discuté en profondeur les sujets scientifiques et a élaboré une philosophie de la nature pour encadrer dans son système les connaissances développées par la recherche scientifique. Cet article analyse la philosophie de la nature de Schopenhauer dans le Monde comme volonté et représentation et ses variations dans la Volonté dans la nature, les Compléments et les Parerga et Paralipomena. On montre que la question du rôle des sciences dans le système du monde comme volonté est (...) centrale dans l’image que Schopenhauer a de la philosophie. (shrink)

Schopenhauer is acknowledged as “the philosopher of pessimism” and author of a system that teaches how art and morality can help humans navigate life in “the worst of all possible worlds.” This dominant image has cut off an important branch of Schopenhauer’s tree of philosophy—metaphysics of nature and its constant dialogue with the sciences of the time. Beginning with a reappraisal of Schopenhauer’s system as a whole—which he defined as a “single thought”—this book interprets his metaphysics as a knowledge that (...) brings value and meaning to our lives. More specifically, Schopenhauer’s writings show that he saw science as adding value to metaphysical knowledge. Understanding Schopenhauer’s metaphysics therefore requires both an understanding of the dialogue he maintained with the natural sciences and an appreciation of the role of the natural sciences in his philosophical project. And exploring the relationship between science and metaphysics provides a new perspective on his metaphysics and its development between the first edition of The World as Will and Representation (1819) and 1844, when Schopenhauer added a second volume of Supplements to his work. In 1819, he valued Schelling’s philosophy of nature as a model for establishing a link between metaphysical speculation and science. In the years that followed, he assessed the implications for metaphysics of the transformation of scientific research into a practice increasingly independent of philosophy. Such an assessment also affected his metaphysics, and even the will and Ideas underwent a process of revision. (shrink)

Uma reflexão filosófica sobre a fenomenologia representada pela magia e pelos poderes mentais extraordinários deveria envolver uma consideração sobre a história da filosofia, em particular sobre os filósofos que estavam familiarizados com o paranormal e que investigaram sobre ele. O presente trabalho propõe uma leitura sobre a investigação de Schopenhauer acerca dos fenômenos paranormais a qual envolve três aspectos: uma análise das estratégias argumentativas propostas por Schopenhauer; uma contextualização do tratamento dado por Schopenhauer à magia e ao espiritismo; uma tentativa (...) de interpretação desse tratamento como um vínculo entre a interpretação tradicional do paranormal e a nova abordagem científica através da pesquisa psíquica do final do século XIX. (shrink)

The aim of this chapter is to analyze how Schopenhauer employed and developed the concept of Trieb in his philosophy of nature. It elucidates that Schopenhauer was adamant in distinguishing the Trieb from the will and gave the Trieb an important role in defining some characteristics of his metaphysics of nature—against reductionism and for explaining the complexity of organic life. Moreover, the chapter reconstructs how the Trieb—through Blumenbach’s Bildungstrieb—found its place in Schopenhauer’s philosophy of biology. Finally, it focuses on his (...) criticism of physico-theology and on his most famous application of the Trieb, namely the sexual drive in organic life and its effects in human society as “sexual love”. (shrink)