Abstract

In this article I suggest that we should understand symbolic art not as some kind of wonderous prequel to classical art, but as a theory of the advent of spiritual self-reflection on a collective scale. Symbolic art is the first form of what Hegel calls ‘absolute spirit’. I understand absolute spirit as the realm of reflective social practices through which humans discuss and reflect on what it is to be human. Symbolic art is thus the first form in which spirit generates genuine self-knowledge. I argue that symbolic art should be understood as the unprecedented beginning of asking what it is to be human, without having a picture of what it is to be human preceding it. The advantage of understanding Hegel's symbolic art in this way is that we are able to go beyond the narrow conception of symbolic art as existing only in the oriental world and arrive at an understanding of symbolic art which includes social practices from the deep history of our species.