Abstract

Visual representations of the whole earth permeate modern cultures, shaping how societies imagine globalization and planetary ecological derangement. To explore the complex ways in which these images configure human attitudes toward environments, this essay attends to a series of hegemonic representations of the earth from diverse situations and stages of modernity in conjunction with ideas drawn from Martin Heidegger’s ontological philosophy. I proceed from the insight that for Heidegger modernity is not a singular condition, but entails two contrary determinations of being: “machination,” in which detached subjects reshape an objectified world, and “enordering,” in which fungible and flexible resources circulate endlessly around a closed global space. Taking up these divergent concepts, my argument accentuates basic differences in how the earth has been disclosed in representation over the course of modern history. Through close analyses of world maps from the early modern Netherlands; chalkboard globes from nineteenth-century schoolrooms; and the contemporary geospatial application Google Earth, I show how global visions both articulate and complicate Heidegger’s thinking of machination and enordering. Far from being the culmination of a singular modernity, images of the earth reveal and reinforce a discordant global condition, riven by clashing, equally total disclosures of the world.