Abstract

The legacy of Husserlian phenomenology in France, as Paul Ricœur observes, has inspired a series of “Husserlian heresies.” This paper seeks to shedlight on the Husserl heretics through a study of two influential thinkers who introduced Husserl’s to French readers: Levinas and Ricoeur. Their introductionsgave rise to the “standard picture” of Husserl as an Idealist. Their criticism of Husserl’s Idealism then provides the springboard into their own originalthought. What ultimately emerges from this, however, are two different visions of how phenomenology should relate to its own limits.