Ethics, Place and Environment 10 (3):287 – 300 (2007)

Emily Brady
Texas A&M University
Recent work in environmental ethics has seen a pragmatic turn that emphasises the importance of developing positive relationships with nature through practices involved in, for example, ecological restoration and community gardens. This article explores whether environmental and land art-making encourages positive aesthetic-moral relationships between nature and humans. It critically examines a particular type of aesthetic objection to these kinds of artworks and defends the work of Robert Smithson and Andy Goldsworthy, among others, against this charge. It is argued that rather than constituting an 'aesthetic affront' to nature, some forms of environmental and land art show 'aesthetic regard' for nature.
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DOI 10.1080/13668790701578538
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References found in this work BETA

Aesthetics of the Natural Environment.Emily Brady - 2000 - University of Alabama Press.
Environmental Pragmatism.Andrew Light & Eric Katz - 1996 - Ethics and the Environment 2 (2):199-202.
The Aesthetics of Unscenic Nature.Yuriko Saito - 1998 - Journal of Aesthetics and Art Criticism 56 (2):101-111.
Aesthetics and the Value of Nature.Janna Thompson - 1995 - Environmental Ethics 17 (3):291-305.
What Gardens Mean.Stephanie Ross - 1998 - University of Chicago Press.

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Citations of this work BETA

Environmental Aesthetics.Allen Carlson - 2008 - Stanford Encyclopedia of Philosophy.

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