Excess in Art: The Case of Oversinging

Journal of Aesthetics and Art Criticism 76 (1):83-92 (2018)
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Abstract

“Oversinging” is singing that is excessive in one or more dimensions: too loud, too ornamented, too melismatic, too expressive, or employing too much vibrato. I begin with a characterization of oversinging and establish a context for discussion (Section I). Next I consider performances by Christina Aguilera and Michael Bolton as examples (Section II). In light of these examples, I consider how oversinging might be both aesthetically and morally problematic (Section III). Along the way I raise concerns about authenticity and sincerity (Section IV). Finally (Section V), I consider a “paradox” of oversinging involving the role of skill in artistic performance. My discussion touches on the aesthetics of performance, aesthetic judgment, virtuosity, and taste.

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Citations of this work

Why can’t I change Bruckner’s Eighth Symphony?David Friedell - 2020 - Philosophical Studies 177 (3):805-824.
Transparent and Opaque Performance Personas.Wesley D. Cray - 2019 - Journal of Aesthetics and Art Criticism 77 (2):181-191.

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References found in this work

Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
Performing Works of Music Authentically.Julian Dodd - 2012 - European Journal of Philosophy 23 (3):485-508.
On works of virtuosity.Thomas Carson Mark - 1980 - Journal of Philosophy 77 (1):28-45.
Can American Popular Vocal Music Escape the Legacy of Blackface Minstrelsy?Lee B. Brown - 2013 - Journal of Aesthetics and Art Criticism 71 (1):91-100.

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