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  1. Fact, Fiction, and Forecast.Nelson Goodman - 1955 - Harvard University Press.
    In his new foreword to this edition, Hilary Putnam forcefully rejects these nativist claims.
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  2. Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Bobbs-Merrill.
    . . . Unlike Dewey, he has provided detailed incisive argumentation, and has shown just where the dogmas and dualisms break down." -- Richard Rorty, The Yale Review.
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  3. Ways of Worldmaking.Nelson Goodman - 1978 - Harvester Press.
    Required reading at more than 100 colleges and universities throughout North America.
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  4. The Structure of Appearance.Nelson Goodman - 1951 - Cambridge, MA, USA: Harvard University Press.
    With this third edition of Nelson Goodman's The Structure of Appear ance, we are pleased to make available once more one of the most in fluential and important works in the philosophy of our times. Professor Geoffrey Hellman's introduction gives a sustained analysis and appreciation of the major themes and the thrust of the book, as well as an account of the ways in which many of Goodman's problems and projects have been picked up and developed by others. Hellman also (...)
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  5.  33
    Problems and Projects.Nelson Goodman (ed.) - 1972 - Indianapolis: Bobbs-Merrill.
  6. Fact, Fiction, and Forecast.Nelson Goodman - 1955 - Philosophy 31 (118):268-269.
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  7. Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.
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  8. Seven Strictures on Similarity.Nelson Goodman - 1972 - In Problems and Projects. Bobs-Merril.
     
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  9. The Calculus of Individuals and its Uses.Henry S. Leonard & Nelson Goodman - 1940 - Journal of Symbolic Logic 5 (2):45-55.
  10. Of Mind and Other Matters.Nelson Goodman - 1984 - Cambridge: Harvard University Press.
    Essays discuss cognition, perception, art, science, truth, metaphor, education, philosophy, and cognitive psychology.
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  11. The Problem of Counterfactual Conditionals.Nelson Goodman - 1947 - Journal of Philosophy 44 (5):113-128.
  12. Steps Toward a Constructive Nominalism.Nelson Goodman & Willard van Orman Quine - 1947 - Journal of Symbolic Logic 12 (4):105-122.
  13. The Structure of Appearance.Nelson Goodman - 1956 - Studia Logica 4:255-261.
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  14.  11
    Fact, Fiction, and Forecast.The Philosophy of Nature.Edward H. Madden, Nelson Goodman & Andrew G. Van Melsen - 1955 - Philosophy and Phenomenological Research 16 (2):271.
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  15. Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.
     
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  16. Languages of Art. An Approach to a Theory of Symbols.Nelson Goodman - 1970 - Critica 4 (11/12):164-171.
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  17.  47
    Reconceptions in Philosophy and Other Arts and Sciences.Nelson Goodman - 1988 - Routledge.
    Knowing and Making 1. Obstacles to Knowing The theory of knowledge to be sketched here rejects both absolutism and nihilism, both unique truth and the ...
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  18.  16
    Steps Toward a Constructive Nominalism.Nelson Goodman & W. V. Quine - 1947 - Journal of Symbolic Logic 13 (1):49-50.
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  19.  15
    The Calculus of Individuals and Its Uses.Henry S. Leonard & Nelson Goodman - 1940 - Journal of Symbolic Logic 5 (3):113-114.
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  20. A Query on Confirmation.Nelson Goodman - 1946 - Journal of Philosophy 43 (14):383-385.
  21. The New Riddle of Induction.Nelson Goodman - 2000 - In Sven Bernecker & Fred I. Dretske (eds.), Knowledge: Readings in Contemporary Epistemology. Oxford University Press.
     
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  22. About.Nelson Goodman - 1961 - Mind 70:1.
  23. On Likeness of Meaning.Nelson Goodman - 1949 - Analysis 10 (1):1 - 7.
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  24.  11
    The New Riddle of Induction.Nelson Goodman - 2011 - In Robert B. Talisse & Scott F. Aikin (eds.), The Pragmatism Reader: From Peirce Through the Present. Princeton University Press. pp. 188-201.
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  25.  43
    Fact, Fiction & Forecast.Nelson Goodman - 1954 - [London]University of London.
  26.  21
    The Problem of Counterfactual Conditionals.J. C. C. McKinsey & Nelson Goodman - 1947 - Journal of Symbolic Logic 12 (4):139.
  27. The Way the World Is.Nelson Goodman - 1960 - Review of Metaphysics 14 (1):48 - 56.
    Obviously enough the tongue, the spelling, the typography, the verbosity of a description reflect no parallel features in the world. Coherence is a characteristic of descriptions, not of the world: the significant question is not whether the world is coherent, but whether our account of it is. And what we call the simplicity of the world is merely the simplicity we are able to achieve in describing it.
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  28.  63
    The Problem of Universals.I. M. Bochenski, Alonzo Church & Nelson Goodman - 1956 - Philosophical Review 67 (3):421-424.
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  29. Sense and Certainty.Nelson Goodman - 1952 - Philosophical Review 61 (2):160-167.
  30.  19
    Art and Illusion; a Study in the Psychology of Pictorial Representation.Nelson Goodman - 1960 - Journal of Philosophy 57 (18):595-599.
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  31.  8
    On Likeness of Meaning.Nelson Goodman - 1950 - Journal of Symbolic Logic 15 (2):150-151.
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  32. How Buildings Mean.Nelson Goodman - 1985 - Critical Inquiry 11 (4):642.
    Arthur Schopenhauer ranked the several arts in a hierarchy, with literary and dramatic arts at the top, music soaring in a separate even higher heaven, and architecture sinking to the ground under the weight of beams and bricks and mortar.1 The governing principle seems to be some measure of spirituality, with architecture ranking lowest by vice of being grossly material.Nowadays such rankings are taken less seriously. Traditional ideologies and mythologies of the arts are undergoing deconstruction and disvaluation, making way for (...)
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  33.  78
    On Starmaking.Nelson Goodman - 1980 - Synthese 45 (2):211 - 215.
  34.  41
    On Infirmities of Confirmation-Theory.Nelson Goodman - 1947 - Philosophy and Phenomenological Research 8 (1):149-151.
  35.  83
    Words, Works, Worlds.Nelson Goodman - 1975 - Erkenntnis 9 (1):57 - 73.
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  36.  29
    Elements of Symbolic Logic.Nelson Goodman - 1948 - Philosophical Review 57 (1):100.
  37. Safety, Strength, Simplicity.Nelson Goodman - 1961 - Philosophy of Science 28 (2):150-151.
    When the evidence leaves us with a choice among hypotheses of unequal strength, how is the choice to be made?Caution would counsel us to choose the weakest, the hypothesis that asserts the least, since it is the least likely to fail us later. But the principle of maximum safety quickly reduces to absurdity; for it always dictates the choice of a hypothesis that does not go beyond the evidence at all.
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  38.  5
    A Study of Qualities.Nelson Goodman - 1990 - Garland.
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  39.  59
    Propositions and Sentences.Alonzo Church & Nelson Goodman - 1957 - Journal of Symbolic Logic 22 (2):205-208.
  40. Selective Confirmation and the Ravens: A Reply to Foster.Israel Scheffler & Nelson Goodman - 1972 - Journal of Philosophy 69 (3):78.
  41.  71
    Notes on the Well-Made World.Nelson Goodman - 1983 - Erkenntnis 19 (1-3):99 - 107.
  42.  56
    On Some Differences About Meaning.Nelson Goodman - 1952 - Analysis 13 (4):90 - 96.
  43.  37
    The Status of Style.Nelson Goodman - 1975 - Critical Inquiry 1 (4):799-811.
    Obviously, subject is what is said, style is how. A little less obviously, that formula is full of faults. Architecture and nonobjective painting and most of music have no subject. Their style cannot be a matter of how they say something, for they do not literally say anything; they do other things, they mean in other ways. Although most literary works say something, they usually do other things, too; and some of the ways they do some of these things are (...)
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  44.  18
    How Classification Works: Nelson Goodman Among the Social Sciences.Nelson Goodman, Mary Douglas & David L. Hull (eds.) - 1992 - Edinburgh: Edinburgh University Press.
    How Classification Works attempts to bridge the gap between philosophy and the social sciences using as a focus some of the work of Nelson Goodman. Throughout his long career Goodman has addressed the question: are some ways of conceptualizing more natural than others? This book looks at the rightness of categories, assessing Goodman's role in modern philosophy and explaining some of his ideas on the relation between aesthetics and cognitive theory. Two papers by Nelson Goodman are included in the collection (...)
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  45.  72
    Metaphor as Moonlighting.Nelson Goodman - 1979 - Critical Inquiry 6 (1):125-130.
    The acknowledged difficulty and even impossibility of finding a literal paraphrase for most metaphors is offered by [Donald] Davidson1 as evidence that there is nothing to be paraphrased - that a sentence says nothing metaphorically that it does not say literally, but rather functions differently, inviting comparisons and stimulating thought. But paraphrase of many literal sentences also is exceedingly difficult, and indeed we may seriously question whether any sentence can be translated exactly into other words in the same or any (...)
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  46. The Epistemological Argument.Nelson Goodman - 1967 - Synthese 17 (1):23 - 28.
  47.  5
    On Infirmities of Confirmation.Nelson Goodman - 1947 - Philosophy and Phenomenological Research 8:149.
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  48.  2
    Words, Works, Worlds.Nelson Goodman - 2011 - In Robert B. Talisse & Scott F. Aikin (eds.), The Pragmatism Reader: From Peirce Through the Present. Princeton University Press. pp. 174-187.
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  49.  13
    The Semantic Conception of Truth and the Foundations of Semantics.Alfred Tarski, C. I. Lewis & Nelson Goodman - 1956 - Journal of Symbolic Logic 21 (1):76-77.
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  50. A Study of Qualities.Nelson Goodman - 1994 - Studia Logica 53 (4):595-600.
     
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