Creative strategies employed in modelling: A case study [Book Review]

Foundations of Science 4 (4):375-388 (1999)
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Abstract

This paper examines creative strategies employed inscientific modelling. It is argued that being creativepresents not a discrete event, but rather an ongoingeffort consisting of many individual `creative acts''.These take place over extended periods of time andcan be carried out by different people, working ondifferent aspects of the same project. The example ofextended extragalactic radio sources shows that, inorder to model a complicated phenomenon in itsentirety, the modelling task is split up into smallerproblems that result in several sub-models. This is away of using cognitive resources efficiently and in away which overcomes their limitations. Another aspectof modelling that requires creativity is theemployment of visualisation in order to reassemble,i.e. recreate the unity of, the various sub-models bymeans of visualisation. This illustrates how thecreative effort required to deal with the complexityof the complicated phenomenon of radio sources ischannelled in order to use cognitive resourcesefficiently and to stay within their capacity

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Citations of this work

When scientific models represent.Daniela M. Bailer-Jones - 2003 - International Studies in the Philosophy of Science 17 (1):59 – 74.
Understanding scientific study via process modeling.Robert W. P. Luk - 2010 - Foundations of Science 15 (1):49-78.
Mechanisms, Models and Laws in Understanding Supernovae.Phyllis Illari - 2019 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 50 (1):63-84.

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References found in this work

Models and Analogies in Science.Mary B. Hesse - 1963 - [Notre Dame, Ind.]: University of Notre Dame Press.
Models and metaphors.Max Black - 1962 - Ithaca, N.Y.,: Cornell University Press.
Models and metaphors.Max Black - 1962 - Ithaca, N.Y.,: Cornell University Press.
Models and Analogies in Science.Mary Hesse - 1965 - British Journal for the Philosophy of Science 16 (62):161-163.
More about metaphor.Max Black - 1977 - Dialectica 31 (3‐4):431-457.

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