RESUMEN El siguiente artículo tiene como objetivo destacar el carácter polifónico del pensamiento platónico y poner en cuestión el sentido de la autoría de Platón. Suponer, a partir de obstinados prejuicios modernos, que Platón, tal como cualquier escritor moderno, habría expuesto su propia doctrina, es ignorar la importancia de la forma dramática de su pensamiento. El testimonio de la variedad de interlocutores y de puntos de vista que se suceden en los diferentes diálogos, nos invita a prestar atención a la (...) compleja trama del pensamiento platónico, cuya variedad de funciones corresponde a los límites y al alcance del discurso de quienes en un determinado momento y situación cooperan en el diálogo. ABSTRACT The following paper aims to highlight the polyphonic character of Platonic thought and to question the meaning of Plato's authorship. To assume, from obstinate modern prejudices, that Plato, like any modern writer, would have exposed his own doctrine, is to ignore the importance of the dramatic form of his thought. The testimony of the variety of interlocutors and points of view that take place in the different dialogues, invites us to pay attention to the complex plot of Platonic thought, whose variety of functions corresponds to the limits and scope of the discourse of those who, in a given moment and situation, cooperate in the dialogue. (shrink)

This book is a quest for the real Plato, forever hiding behind the veil of drama. The quest, as the subtitle indicates, is Cartesian in that it looks for Plato independently of the prevailing paradigms on where we are supposed to find him. The result of the quest is a complete pedagogical platform on Plato. This does not mean that the book leaves nothing out, covering all the dialogues and all the themes, but that it provides the full intellectual apparatus (...) for doing just that. It consists of two parts. The first is a general orientation in three chapters, one each pertaining to the life, thought, and works of Plato. The second is a dialogic companion covering the four dialogues built around the last days of Socrates, with a separate chapter devoted to each: Euthyphro, Apology, Crito, and Phaedo. (shrink)