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  1. Iphigeneia in Philadelphia.Barbara Burrell - 2005 - Classical Antiquity 24 (2):223-256.
    A long-misinterpreted Roman provincial coin shows a mythological scene in order to make a remarkable claim: that Iphigeneia, Orestes, and Pylades fled from the land of the Taurians to Philadelphia in Lydia , and there set up their stolen image, identified by the Philadelphians as their patron Artemis Anaitis. This Persianized goddess was generally depicted as an Anatolian image almost identical to the Artemis of Ephesos; it is the bond between the two goddesses that may be the immediate basis of (...)
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  • Philebus.Verity Harte - 2012 - In Associate Editors: Francisco Gonzalez Gerald A. Press (ed.), The Continuum Companion to Plato. Continuum International Publishing Group. pp. 81-83.
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  • Deceptive readings: poetry and its value reconsidered.Sitta von Reden - 1995 - Classical Quarterly 45 (01):30-.
    In his analysis of the social and economic conditions of intellectual activity in ancient Greece, Gentili argues that the value of poetry underwent a notable change in the late archaic period. Poetry came to be produced within a contractual relationship between patrons and poets, it became a commercial good available to the one who could pay for it and its value was expressed no longer by honouring the poet but by paying for his product. At the time of Solon and (...)
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  • Truth and truth-telling in the age of Trump.Michael A. Peters - 2018 - Educational Philosophy and Theory 50 (11):1001-1007.
  • Wandering philosophers in Classical Greece.Silvia Montiglio - 2000 - Journal of Hellenic Studies 120:86-105.
  • The Semantics of άοιδός and Related Compounds: Towards a Historical Poetics of Solo Performance in Archaic Greece.Boris Maslov - 2009 - Classical Antiquity 28 (1):1-38.
    The article shows that in the Archaic period the Greeks did not possess a term equivalent to Classical ποιητής “poet-composer.” The principal meaning of the word άοιδός, often claimed to correspond to ποιητής and modern English poet, was “tuneful” or “singer” . The secondary meaning “poet working in the hexameter medium” is limited to the post-Iliadic hexameter corpus. It is furthermore possible to show that the simplex άοιδός was backderived from a compound. More specifically, following Hermann Koller, I propose that (...)
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  • ‘Mere bellies’?: A new look atTheogony26–8.Joshua T. Katz & Katharina Volk - 2000 - Journal of Hellenic Studies 120:122-131.
    One of the most famous scenes in classical literature is theDichterweiheat the beginning of theTheogony: when Hesiod was tending his sheep below Mount Helicon, the Muses approached him, provided him with a staff and a divine voice, and told him to sing of the blessed, everlasting gods.
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