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  1. The Grey Zones of Violence in Political Resistance.Tal Correm - 2020 - Theoria: A Journal of Social and Political Theory 67 (165):10-36.
    This article addresses the ambivalent role of violence in liberation struggles by staging a mutually enriching dialogue between Hannah Arendt and Frantz Fanon. It challenges the binary distinction between justifiable resistance that allows for only short-term, instrumental use of violence, and unwarranted resistance where violence is intrinsically justified as a creative, organic life-force of the oppressed. Instead, it discusses the constitutive role of violence as a condition of possibility of politics – highlighting the impossibility of separating the bloody moments of (...)
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  • Hannah Arendt and International Relations.Shinkyu Lee - 2021 - In Nukhet Sandal (ed.), Oxford Research Encyclopedia of International Studies. Oxford University Press. pp. 1-30.
    International relations (IR) scholars have increasingly integrated Hannah Arendt into their works. Her fierce critique of the conventional ideas of politics driven by rulership, enforcement, and violence has a particular resonance for theorists seeking to critically revisit the basic assumptions of IR scholarship. Arendt’s thinking, however, contains complexity and nuance that need careful treatment when extended beyond domestic politics. In particular, Arendt’s vision of free politics—characterized by the dualistic emphasis on agonistic action and institutional stability—raises two crucial issues that need (...)
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  • Hannah Arendt’s International Agonism.Shinkyu Lee - 2021 - Korean Review of Political Thought 27 (2):215-244.
    Hannah Arendt’s fierce critique of sovereignty, along with her excavation of Greek agonism, has gained much traction among critical theorists of international politics who revisit the basic assumptions of conventional international theories, such as state sovereignty and power as domination. This paper engages with an increasingly popular stream within such critical international studies that appropriates Arendt’s agonism to envision a form of a global public acting in concert. I argue that Arendt’s thoughts cannot be reduced to a radical vision of (...)
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