The objective of this thesis – Reflective Equilibrium as a Form of Life – is to contribute to the deepening of understanding of the method of reflective equilibrium – a method of internal epistemic justification. In the first part of the study, four paradigmatic conceptions of the method will be analyzed in order to carve out a conceptual core: The ones by John Rawls – who coined the name of the method – Norman Daniels, Michael DePaul and Catherine Elgin. I (...) will argue that the conceptual core of the method contains four elementary rules: 1) A minimalistic fallibilism, 2) a moderate holism, 3) a minimalistic rationality, and 4) a weak foundationalism. Compliance with these rules is necessary and jointly sufficient for any epistemic procedure of justification to be in accordance with the method of reflective equilibrium. The second part of the study is intended to answer some of the open questions concerning this definition of the conceptual core of the method. It will be argued that the a minimalistic fallibilism, as a very central element of the method, is justified since there is no belief whose truth is transparent to an epistemic agent. Even if it were the case that such beliefs exist, there would be attractive options of retreat which provide a quasi-universal justification of minimalistic fallibilism. It will also be argued that all alternative methods of justification are either compatible with the method of reflective equilibrium or are not justified. While a metajustification of the method – understood as a justification of the method employing the method itself – is on the one hand not completely satisfactory, as it presupposes the acceptance of the method before it is justified, it is epistemically acceptable on the other hand, since it allows for a critical inquiry and is open-ended. It will be pointed out that a moderate foundationalism can be justified by the method for some specific area of inquiry insofar as basic beliefs can be identified. Yet, the default-position of the method is only a weak foundationalism (often also termed “coherentism”). With regard to the possibility of a formal interpretation of the method with which one could specify key terms used in the definition of the conceptual core, I will sketch general ways such a formalization might take. However, I will argue that the informal interpretation of the method has priority over any formal interpretation. In the third and concluding part of the study, I will present the claim that one should interpret the method of reflective equilibrium as a form of life. This means that the method is at least implicitly accepted by some epistemic agents: they have developed a disposition and ability to act according to the method. This interpretation of the method can be related to the notion of critical thinking, which, as a civic virtue and educational ideal, is subject of empirical research and practical application. A possible misunderstanding with respect to the method of reflective equilibrium as a form of life should be avoided: To interpret the method as a form of life does not indicate that it must be a comprehensive form of life. Acknowledging it in private life is optional. According to the proposed understanding of the method it is primarily a public and political form of life. (shrink)

Karl Leonhard Reinhold publizierte Ende der 1780er-Jahre eine Reihe von Schriften, mit denen er beanspruchte, Immanuel Kants geschmackstheoretische Ausführungen der Kritik der Urteilskraft zu antizipieren. Ziel dieser Studie ist eine bis dato nicht vorgenommene umfassende kontextualisierende Analyse dieser frühen ästhetischen Ansätze, die u. a. auf das Schöne und die Kunst appliziert werden. Reinhold diskutiert die seiner Ansicht nach einseitigen Lustkonzeptionen von Dubos, Pouilly, Wolff, Mendelssohn, Sulzer und Helvétius, welche er mit seiner eigenen Theorie des Vergnügens ergänzt. Die Empfindungstheorie Ernst Platners (...) wird als ein holistischer Zugang gewürdigt. Reinholds Ausführungen nehmen Kants Geschmackskritik zwar nicht vorweg, doch sind sie mit dieser vereinbar und können als ihr vergnügens- und triebtheoretisches Fundament angesehen werden. Platners Einfluss ist dabei nur einer von vielen und verblasst neben dem von Kants Epistemologie und Ethik. Die Originalität von Reinholds Reflexionen liegt v. a. in einer transzendentalphilosophischen Aufwertung der Sinnlichkeit in ästhetischen Belangen und einem Vorläufermodell des freien Spiels der Erkenntniskräfte als einer starken und leichten Beschäftigung der Vorstellungskraft. (shrink)

Mit dem treffenden Ausdruck "Der wunderbare florentinische Geist" bezeichnet Jacob Burckhardt den Geist der Erneuerung in Florenz zur Zeit der italienischen Renaissance - des Rinascimento. Er revolutionierte die unterschiedlichsten kulturellen Bereiche, wie etwa das politische Denken, Wissenschaft, Technik und Kunst. Dieser Geist wirkt bis heute fort. In seiner vielfältigen Gestalt dient er als Ausgangspunkt, um den Hintergrund der europäischen Kultur zu erkunden.

Through the discussion of the two texts: "The Origin of German Tragic Drama" by Walter Benjamin and "Birth of the Clinic" by Michel Foucault, the aim of this thesis consists in trying to point out a kind of history of ambivalence and to understand its rapport with possible knowledge. The thesis contained in this work can be formulated as follows: Benjamin and Foucault grant an important position to writing in its aspect to knowledge. In fact the direct question arises as (...) follows : how is it possible for these two philosophers to think the ambivalence? How and why has it an interest to philosophical knowledge? We act on the assumption that ambivalence contains a postulation for truth and that it is not only a relativization of the latter. The motivation of this thesis resides in the intuition that the concept of writing employed by Benjamin and Foucault is characterized by ambivalence. Thus the writing can be understood not only like a mobile limitation of thought for these philosophers, but as an experience of the world. Ambivalence thus expresses a fundamental experience of modernity. Ambivalent writing makes the effort to find significations which cannot be fixed in a system. The writing challenges the established discourse. It can be understood as a political and critical turning point. It appeared to us, that the text Intuition of the moment by Gaston Bachelard, and its analysis about ‘time and writing’ can serve as a link between the conception of Benjamin’s allegory and the Clinic of Foucault. It seemed to us that in a similar manner the two implicitly question the relationship between writing and time. (shrink)