Beginning with the first series of flights by the French Montgolfier brothers in 1783, hot air ballooning quickly metamorphosed from a dangerous scientific experiment with potential military uses into a widespread cultural craze with deep social implications. Using the lens of the idea of “wonder,” I examine the word-image interactions in a selection of engraved representations of the first Montgolfier demonstration for Louis XVI at Versailles. Such a collective close reading first exposes techniques that aim at encouraging admiration in readers (...) for both the new technology and the French state that produced it. However, visual cues in the images indicate a persistent suggestion of doubt and uncertainty—and even fear—as they take readers “up and away” from the confines and comforts of everyday life. The word-image nexus surrounding this spectacle generates an altered textual world in which traditional social and sexual hierarchies lose stability and the future is full of possibility. (shrink)

Beginning with the first series of flights by the French Montgolfier brothers in 1783, hot air ballooning quickly metamorphosed from a dangerous scientific experiment with potential military uses into a widespread cultural craze with deep social implications. Using the lens of the idea of “wonder,” I examine the word-image interactions in a selection of engraved representations of the first Montgolfier demonstration for Louis XVI at Versailles. Such a collective close reading first exposes techniques that aim at encouraging admiration in readers (...) for both the new technology and the French state that produced it. However, visual cues in the images indicate a persistent suggestion of doubt and uncertainty—and even fear—as they take readers “up and away” from the confines and comforts of everyday life. The word-image nexus surrounding this spectacle generates an altered textual world in which traditional social and sexual hierarchies lose stability and the future is full of possibility. (shrink)

Friedrich Nietzsche gilt als einer der bedeutendsten Philosophen des 19. Jahrhunderts und hat die moderne Philosophie maßgeblich beeinflusst. In diesem Buch gibt Theobald Ziegler einen umfassenden Einblick in das Leben und Werk von Nietzsche und zeigt, warum seine Ideen bis heute relevant sind. Eine unverzichtbare Lektüre für alle Philosophie-Interessierten. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Excerpt from Die Ethik Der Griechen Und Römer A. pe3iellc Moral 164. 4. tellung be6 Ghni8muè in {einer geit 166. B. toifer 1. Quellen 165 - 166. 2. $dic thil innerhalb ihreé h{temè 11. Bic @liebernng ber{elben 166 - 167. 3. $die?ipathie 167 169. 4. 5308 05ute 169 - 170. 6. $ie îugcnb 170 - 172. 6. Fiber {toi{che 28e11e 172 - 174. 7. ie 8lbiaphora u. Ba6 xa3fixov 174 - 176. 8. Qie angc1oanbte 8roral 176 - 181. 9. Sder (...) religib{e Gharalter ihrer suioral 181 - 182. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)