En este texto partiremos de la conocida tensión cinematográfica entre la imagen y la narración, refiriendo a un caso concreto de cine mexicano tipológico costumbrista. Es un género que se distingue por una trama débil constituida por secuencias con un importante peso mostrativo o “descriptivo”, más que narrativo y el espectador se entretiene en el reconocimiento de los estereotipos, obteniendo un goce mimético de reconocimiento. Para abordar tal reconocimiento mimético distinguiremos entre los imaginarios literarios y los imaginarios fílmicos. Los imaginarios (...) literarios son esquemas faltos de concreción. Por el contrario, los imaginarios fílmicos no son lo absoluto una cuestión de la imaginación más o menos vaga, sino que dada su base fotográfica presentan girones de la realidad tal cual es en su apariencia. Este imaginario fílmico ya no consta de imágenes de la mera imaginación, al gusto del que se las imagina, sino que consta de fragmentos fotográficos de la apariencia real, por lo que esas imágenes de calidad fotográfica tienden a generan de inmediato aprobación o rechazo. Puede ser que se lea algo que no gusta y entonces tiende a dejarse de lado, pero es más difícil dejar de lado algo que, aunque no guste no se leyó sino se vio. Para analizar el género de narrativa débil tipologizante recurrimos a la teoría de D. Bordwell sobre la construcción de la historia combinándola con la teoría de R. Barthes acera de los núcleos, catálisis, informantes e indicios narrativos. (shrink)

En este texto discutiremos la tensión entre los nuevos medios y la narratología ocupándonos especialmente del caso del cine. Nuestra tesis será que los nuevos medios tienen que ver básicamente con la ilusión y solo derivadamente con la imaginación; por el contrario, el campo de la literatura tiene que ver solo con la imaginación y no con la ilusión. Si esto es así, algo debe estar mal con la pretensión de la narratología de ser el esquema teórico adecuado para entender (...) cualquier fenómeno cultural, especialmente el de losnuevos medios. Insistiremos, por ello, en la distinción entre ilusión e imaginación. De hecho, los teóricos literarios no lo consideran. Se suele decir que el cine es ficción, y de hecho la literatura es ficción, pero el cine es mucho más que la ficción, es una ilusión.Here we will discuss the tension between the new mass media and narratology and the case in study will be cinema. Our thesis would be that new mass media have to do basically with illusion and only derivatively with imagination; on the contrary, the field of literature has to do only with imagination, not with illusion at all. If it is so, something must be wrong with the pretence of narratology to be the adequate theoretical schema in order to understand every cultural phenomenon, especially in the case of new mass media. We have to insist on the distinction between illusion and imagination. In fact, literary theoreticians do mostly not consider it. It is usually said of cinema that it is fiction, and indeed literature is fiction, but cinema is much more than fiction, it is illusion. (shrink)

The holist and inferential condition that, according with Davidson, defines imperatively the cognitive process collides with the existence of the intuitive believes, that is to say, those believes that are of themselves the fundamentum and that, thus, don’t require other belief for their grounds. Nonetheless, if, for one part, is adopted the way in which Peirce understands the term “intuition” and, for another, is accepted the extension of inferential holism, is allowed, even so, to admit the existence of intuitive believes, (...) without transgressing the Davidsonian prohibition. Indeed, if the inferential basis of supported belief is located beyond of the individual agency of who support that belief, the very belief would count as intuition of the agent and would respect the Davidsonian holist constraint, in the sense that such a belief would be a belief whose basis would be in another belief, even when that belief was one that was in an external agency. The key for to accomplish this purpose is to sustain a reasoning extended theory —analogous to the Clark and Chalmers (1998) extended theory of mind—, by virtue of which the agent can obtain, from an intuitive assistant —as alien inferential authorship — what he cannot get by his own inferential authorship. Precisely, in this work we will expound a Davidsonian type of linguistic interaction model —namely, dialogic and triangular—, for cognitions persuasive transfer, by means of one’s reasons (the assistant) become other’s intuitions (the assisted). (shrink)

Bravo, F. La dialéctica en Teilhard de Chardin.--Carías, R. El conocimiento de Dios en Max Scheler.--Cappelletti, A. J. El fuego y el logos en la filosofía de Heráclito.--Li Carrillo, V. Estructuralismo y antihumanismo.--Rosales, A. Martín Heidegger y la crisis de la filosofía transcendental.--Rosales, A. La crítica de Heidegger al idealismo moderno.--Rosales, A. El giro del pensamiento de Heidegger.

From a perspective focused on Law, but open to other fields, an evaluation of the influence of Cicero’s thought the analysis of his main works is attempted. No doubt, Cicero’s ideas have been crucial in the development of Western Culture, and two thousand years later his theories still remain alive.

Increasing numbers of women in Turkey are murdered by their relatives, spouses or significant others. The perpetrators plead provocation for their crimes, claiming their actions are provoked by women’s initial acts which they deem to violate societal norms. Pleading provocation enables more lenient sentences. This article investigates the interplay of the legal rules and societal norms on ‘proper’ female behaviour in femicide, based on data drawn from the Journal of Legal Proceedings, which publishes select rulings of the Court of Cassation (...) – the Highest Court in the Turkish legal system – from 2004 to 2018. This article argues that there is a collision between cultural, societal norms and legal rulings in criminal law, and displays linkages between legal processes and social norms which perpetuate patriarchal structures. Accordingly, the article proposes that legal rulings on femicide reflect societal norms and traditional expectations on women’s roles in Turkish society through employing provocation defence. Consequently, law becomes complicit in femicide through provocation, and provocation could be seen as the legal system’s concession to patriarchy. (shrink)

Din, hem toplumsal değişim hem de toplumsal çatışma ve uyum ile etki-leşimi açısından önemli bir toplumsal olgudur. Bu bağlamda tarihi süreçte din olgusunun çatışma olgusuyla da çatışma çözümü olgusuyla da sürekli etkileşim halinde olduğu görülmektedir. Birbirinden farklı niteliklerdeki toplumsal çatışmaların var olduğu günümüzde de bazı çatışma örneklerinde ve çatışma çözüm çabalarında din merkezi konumda yer almaktadır. Ayrıca 20. yüzyılda başlayan birden fazla toplumu ve toplumsal çevreyi olumsuz yönde etkileyen bazı önemli dirençli çatışmalar hala varlığını sürdürmektedir. Birden fazla faktörün etkili olduğu (...) bireyler, gruplar veya topluluklar arasındaki farklı özellikteki çatışmaları çözümleme çabaları farklı şekillerde sonuçlanmaktadır. Ancak doğru çatışma yönetimiyle çatışma süreci kontrol altında tutulabilirse, tarafları ve çatışmanın kendisini anlama yoluyla, çözüm sürecinde gerekli ve uygun yöntemlerin uygulanmasıyla birçok çatışmanın olumlu biçimde sonuç-landırılması mümkün gözükmektedir. Bu açıdan belirli çatışma ve çatışma çözüm örneklerinin yer aldığı bu makalenin konusu, çatışma çözümünün karakteristiğini belirlemeye ve din olgusu gibi önemli bir etkenin tesiriyle çatışma çözüm alanını değerlendirmeye yöneliktir. Bu makalenin amacı, son dönem ve güncel örneklerden hareketle çatışma çözümüne dinlerin yaklaşımlarını ve bu kapsamda İslam dininin çatışma çözümü çerçevesindeki pozisyonunu etkileşimsel olarak anlamaya çalışmaktır. (shrink)