Archaeological theory -- Philosophy and archaeology -- Critical realism as critique of Western philosophy -- Critical realism as philosophical underlabourer -- Diversity and impasse in current archaeological theorising -- The contradictions of archaeological theory -- The material in archaeological theory -- Critical realism, the material, and absence -- Time, scale, and the ontology of the material -- Conclusions, implications, and further research.

This article models a critical method of engaging with not-knowing as it relates to discourses around sexual agency and sexual violation through an analysis of Carmen Maria Machado’s short story ‘The Husband Stitch’. I argue that sexual and gender-based violation not only enforces harmful forms of uncertainty among the women of the story. It also forecloses the potentially productive capacities of modes of not-knowing. In doing so, I respond to assertions from feminist scholars as varied Linda Martín Alcoff, Mary Gaitskill, (...) Laura Kipnis and Joseph Fischel that we need to better account for the full ‘complexity’ of narratives of sexual encounter – including violent encounters. Broadly, in a #MeToo era in which stories of sexual and gender-based violence have received unprecedented mainstream public exposure, I contend that we can both treat the testimonies of survivors as credible and authoritative, and open up discursive space for the experience and expression of not-knowing. (shrink)

Sacred Games, Death, and Renewal in the Ancient Eastern Woodlands Content Type Journal Article Category Review Pages 507-509 DOI 10.1558/jcr.v11i4.507 Authors Sandra Wallace, Artefact Heritage, Po Box 772 Rose Bay, NSW 2029 Journal Journal of Critical Realism Online ISSN 1572-5138 Print ISSN 1476-7430 Journal Volume Volume 11 Journal Issue Volume 11, Number 4 / 2012.