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  1.  84
    A defence of musical idealism.Renée Cox - 1986 - British Journal of Aesthetics 26 (2):133-142.
  2.  16
    The Music of Our Lives.Renee Cox - 1992 - Journal of Aesthetics and Art Criticism 50 (2):162-164.
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  3.  84
    Are musical works discovered?Renee Cox - 1985 - Journal of Aesthetics and Art Criticism 43 (4):367-374.
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  4. A history of music.Renee Cox - 1990 - Journal of Aesthetics and Art Criticism 48 (4):395-409.
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  5.  44
    A Gynecentric Aesthetic.Renée Cox - 1990 - Hypatia 5 (2):43 - 62.
    In the proposed gynecentric aesthetic, which follows the work of Heide Göttner-Abendroth and Alan Lomax, aesthetic activity would function to integrate the individual and society. Intellect, emotion and action would combine to achieve a synthesis of body and spirit. Song and dance would involve the equal expressions of all participants, and aesthetic structures would reflect this egalitarianism. The erotic would be expressed as a vital, positive force, divorced from repression and pornography. The emphasis would be off aesthetic objects to be (...)
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  6.  7
    Higgins, Kathleen Marie. The Music of Our Lives.Renee Cox - 1992 - Journal of Aesthetics and Art Criticism 50 (2):162-163.
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  7.  3
    The Aesthetics of Leonard Meyer: Musical Formalism in the Twentieth Century.Renee Cox - 1983 - [S.N.].
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