Since his death in 1950, Sri Aurobindo Ghose has been known primarily as a yogi and a philosopher of spiritual evolution who was nominated for the Nobel Prize in peace and literature. But the years Aurobindo spent in yogic retirement were preceded by nearly four decades of rich public and intellectual work. Biographers usually focus solely on Aurobindo's life as a politician or sage, but he was also a scholar, a revolutionary, a poet, a philosopher, a social and cultural theorist, (...) and the inspiration for an experiment in communal living. Peter Heehs, one of the founders of the Sri Aurobindo Ashram Archives, is the first to relate all the aspects of Aurobindo's life in its entirety. Consulting rare primary sources, Heehs describes the leader's role in the freedom movement and in the framing of modern Indian spirituality. He examines the thinker's literary, cultural, and sociological writings and the Sanskrit, Bengali, English, and French literature that influenced them, and he finds the foundations of Aurobindo's yoga practice in his diaries and unpublished letters. Heehs's biography is a sensitive, honest portrait of a life that also provides surprising insights into twentieth-century Indian history. (shrink)

In Orientalism, Edward Said attempts to show that all European discourse about the Orient is the same, and all European scholars of the Orient complicit in the aims of European imperialism. There may be “manifest” differences in discourse, but the underlying “latent” orientalism is “more or less constant.” This does not do justice to the marked differences in approach, attitude, presentation, and conclusions found in the works of various orientalists. I distinguish six different styles of colonial and postcolonial discourse about (...) India , and note the existence of numerous precolonial discourses. I then examine the multiple ways exponents of these styles interact with one another by focusing on the early-twentieth-century nationalist orientalist, Sri Aurobindo. Aurobindo’s thought took form in a colonial framework and has been used in various ways by postcolonial writers. An anti-British nationalist, he was by no means complicit in British imperialism. Neither can it be said, as some Saidians do, that the nationalist style of orientalism was just an imitative indigenous reversal of European discourse, using terms like “Hinduism” that had been invented by Europeans. Five problems that Aurobindo dealt with are still of interest to historians: the significance of the Vedas, the date of the vedic texts, the Aryan invasion theory, the Aryan-Dravidian distinction, and the idea that spirituality is the essence of India. His views on these topics have been criticized by Leftist and Saidian orientalists, and appropriated by reactionary “Hindutva” writers. Such critics concentrate on that portion of Aurobindo’s work which stands in opposition to or supports their own views. A more balanced approach to the nationalist orientalism of Aurobindo and others would take account of their religious and political assumptions, but view their project as an attempt to create an alternative language of discourse. Although in need of criticism in the light of modern scholarship, their work offers a way to recognize cultural particularity while keeping the channels of intercultural dialogue open. (shrink)

This volume provides a comprehensive analysis of the various aspects of Sri Aurobindo's work as a poet, literary critic, political leader, social reformer, philosopher, and spiritual thinker. Bringing together essays by scholars across disciplines, it situates and evaluates his work and contribution within a larger framework.

Philosophical texts regarded as «inspired» present special difficulties for textual editors and intellectual historians that can be mitigated by the study of archival documents. The works of the philosopher and yogī Aurobindo Ghose are considered important contributions to twentieth-century Indian literature and philosophy. Some of his followers regard them as inspired and therefore not subject to critical study. Aurobindo himself accepted the reality of inspiration but also thought that inspired texts, such as the Bhagavad Gītā, contain a temporal as well (...) as an eternal element. Aurobindo’s papers are preserved in the Sri Aurobindo Ashram Archives, which took shape during the 1970s. Editions of Aurobindo’s books published between his death in 1950 and 1977 were issued without consulting his manuscripts, early editions, etc., and therefore contain transmission errors, subjective emendations, etc. The editors of texts issued after 1977 followed the established methodology of textual criticism and so eliminated many obvious errors. Some of Aurobindo’s readers refused to accept the new editions, and agitated for the restoration of the earlier texts, going so far as to file legal cases against the editors and the administrators of his ashram or spiritual community. A nuanced approach to the editing of texts regarded by some as inspired must take the sentiments of readers into consideration while insisting on scholarly rigour. (shrink)

Myth and history are generally considered antithetical modes of explanation. Writers of each tend to distrust the data of the other. Many historians of the modern period see their task as one of removing all trace of myth from the historical record. Many students of myth consider history to have less explanatory power than traditional narratives. Since the Greeks, logos has been opposed to mythos . In more general terms myth may be defined as any set of unexamined assumptions. Some (...) modern historians have become aware that much so-called factual history is interfused with such assumptions. What we call history is at best mythistory. Some even suggest that there can be no real distinction between the discourses of myth and history, between fact and fiction. The Agastya-Aurobindo narrative is an example of a account based on factual materials that gradually became transformed into fiction. It is accepted by some as historical truth; however when its development is studied critically, one can see that successive narrators "euphemistically" transformed its constituent propositions. The Ramjanmabhumi narrative took form in much the same way. It is not possible to accept these legends as historical truth, though there is no reason why they could not be used as the basis of artistic creations. To avoid conflict by attempting to keep myth and history entirely separate may not be possible because the two interpenetrate. The most fruitful approach to the problem might be to work towards a dialectical resolution. (shrink)

Plato’s Republic and More’s Utopia served as models for most of the literary utopias written between the seventeenth and nineteenth centuries. Towards the end of the nineteenth century, dystopian novels began to displace their positive counterparts. Five dystopian fictions published between 1891 and 1949—Jerome’s “The New Utopia”, Wells’s The Sleeper Awakes, Zamyatin’s We, Huxley’s Brave New World, and Orwell’s Nineteen Eighty-Four—exhibit many common themes, such as isolation, totalitarianism, technology in service of the state, rigid social organization, uniformity and social control. (...) In the twenty-first century, some of these characteristics of fictional dystopian societies have become realities in the form of unseen technological surveillance and control. Nevertheless, utopia lives on as an ideal, for instance in philosophical transhumanism. (shrink)