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  1.  12
    Screen/Play: Derrida and Film Theory.Peter Brunette & David Wills - 1991 - Journal of Aesthetics and Art Criticism 49 (3):268-269.
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  2. Deconstruction and the visual arts: art, media, architecture.Peter Brunette & David Wills (eds.) - 1994 - New York, NY, USA: Cambridge University Press.
    Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television and architecture. Working with the ideas of French philosopher Jacques Derrida, the essays explore the full range of his analyses. They are modelled on the variety of critical approaches that he has encouraged, from critiques of the foundations of our thinking and disciplinary demarcation, to creative and experimental readings of visual 'texts'. Representing some of the most innovative thinking (...)
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  3. The spatial arts: an interview with Jacques Derrida.Peter Brunette & David Wills - 1994 - In Peter Brunette & David Wills (eds.), Deconstruction and the visual arts: art, media, architecture. New York, NY, USA: Cambridge University Press. pp. 9--32.
     
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  4.  42
    Film Hieroglyphs: Ruptures in Classical Cinema.Peter Brunette & Tom Conley - 1993 - Substance 22 (2/3):347.
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  5.  16
    Nowell-Smith Meets Visconti, Redux: The Old and the New, on the 3rd edition of Geoffrey Nowell-Smith's Luchino Visconti.Peter Brunette - 2005 - Film-Philosophy 9 (2).
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  6.  17
    Images off: Ulmer's Teletheory. [REVIEW]Peter Brunette & David Wills - 1993 - Diacritics 23 (2):36.
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