Verb tenses play an important role in managing deictic relations between the narrator, the audience and the events happening in the story world. Across languages, the Simple Past is considered the conventional story-telling tense, reflecting the prototypical deictic configuration of stories in which the narrator is positioned at some distance from the events unfolding in the story. The Simple Present, on the other hand, is considered a marked option for narration, assumed to automatically result in a shift to a subjective (...) perspective. This paper reports on an analysis of a corpus made up of Dutch fictional short stories, news reports and feature articles. The results suggest that conventions for use and interpretation of verb tenses in narrative contexts are in fact genre-dependent. In the news genres, the Simple Present tense dominated in narration. This did not automatically result in a subjective mode or narration, but was naturally used to express a default narration of story events that temporally overlap with the temporal deictic center of the communicative ground. These findings suggest that previous analyses of verb tenses in relation to narration reflect an over-generalization based on the situational characteristics of prototypical narrative genres such as literary fiction and personal anecdotes. (shrink)

Review of: The Aesthetics of Meaning and Thought: The Bodily Roots of Philosophy, Science, Morality, and Art, Mark Johnson (2018)Chicago: University of Chicago Press, 304 pp.,ISBN 978-0-22653-894-5, p/bk, USD 30.

This paper examines how expertise is treated as a separable domain of epistemics by looking at simulated intensive care shift-handovers between resident physicians. In these handovers, medical information about a patient is transferred from an outgoing physician to an incoming physician. These handovers contain different interactional activities, such as discussing the patient identifiers, giving a clinical impression, and discussing tasks and focus points. We found that with respect to knowledge about the patient, the OPs display an orientation to a knowledge (...) imbalance, but with respect to procedures, reasoning, and activities, they display an orientation to a knowledge balance. We use ‘expertise’ to refer to this latter type of knowledge. ‘Expertise’ differs from, and adds to, how knowledge is often treated in epistemics in that it is concerned with professional competence or ‘knowing how’. In terms of epistemics, the participants in the handovers orient to a steep epistemic or knowledge gradient when it concerns the patient, while simultaneously displaying an orientation to a horizontal expertise gradient. (shrink)

Zur Lehre vom Sein in der modernen Philosophie, von K. H. Haag.--Auf der Suche nach dem Sein, von J. P. Sartre.--Die Philosophie Heideggers, von G. Siewerth.--Die Frage nach Gott, von G. Siewerth.--Das Umgreifende, das das Sein selbst ist, von K. Jaspers.--Allgemeinheit und Individualität, von N. Hartmann.--Das individuum, von C. Nink.--Aktivität, von C. Nink.--Seinsfinalität, von C. Nink.--Sein, Nichtsein und Angst, von P. Tillich.--Mut und Transzendenz, von P. Tillich.--Philosophie und Theologie, von K. Barth.--Eine Auswahl aus "Adventures of ideas," von (...) A. N. Whitehead.--Das Problem der Freiheit, von J. Dewey.--Erscheinung und Wesen, von M. J. Saosjorow.--Abstraktes und Konkretes, von P. W. Kopnin. (shrink)