In Le différend Lyotard evocatively describes what remains to be heard as “the silence of feeling.” Setting Lyotard’s différend among a differentiated set of incommensurable family resemblances, including Rancière’s mésentente and Derrida’s différance, this paper argues that le différend même, far from coinciding with itself, points to the re-marks and differs from itself, silencing itself by putting itself under a conditional. This is what gives its particular affective quality that is bound up with address and listening. From this perspective, it (...) also becomes possible to develop a new analysis of the silencing said to constitute “cancel culture,” demonstrating that the marketplace-of-ideas model falsely presupposes a fictional equality of audibility and originary purity of speech. What Lyotard teaches us is that free speech cannot but silence itself. (shrink)

Today’s debates about academic freedom in the US and the UK often echo arguments and counterarguments made by Immanuel Kant and the sovereign who censored him around the time when the modern Humboldtian university would be founded on the twin principles of critique and institutional autonomy. This article considers the limits of the criticist account by reading Jacques Derrida’s deconstructive engagement with Kant’s Conflict of the Faculties in the context of recent legislative developments and political interference which imperil these foundations. (...) To do so, it makes a turn to the ear and to the multiple senses of ‘hearing’ as auditory perception, responsiveness and judgement to explore an alternative basis for defending academic freedom that radicalizes Kant’s position and liberates scholarly inquiry from its closures. (shrink)

How is music implicated in the politics of belonging? Provocatively fusing recent European philosophy with music theory, Music and Belonging explores the instrumental music of Haydn, Mozart, and Beethoven, reveals connections between listening and constructions of community, and testifies to Classical music's enduring political significance in an age of neoliberal exclusion.

In Insister – À Jacques Derrida Cixous declares that she will have to write ‘the book of words’, among which ‘words of power’ will be vermögen (to be able), together with Unvermöglickeit (impossibility), and tragen (to carry), along with austragen (to bear to term) and übertragen (to transfer, translate, also in the sense of metaphor). By examining Derrida's reading of Cixous in H. C. pour la vie, c'est à dire … this article deepens the association of tragen with life and (...) power that fascinates Derrida in the second year of his final seminar where he tracks a thread between Austrag, Walten, Trieb, and Vermögen. Its point of departure is a passage towards the end of H. C. pour la vie where Derrida speaks of the trap of metalanguage or, rather, metaphrasis that lurks in the c’est of c'est à dire. I link this passage both to the discussion of metaphorization in the earlier ‘Le puits et la pyramide’ and the characterization of puisse as ‘the exhaustion [ l'épuisement] of the sun before its time’ in the essay on Cixous to associate puissance with the wearing-out of the world and its usure in the double sense elaborated in ‘La mythologie blanche’. (shrink)

Noise is said to disturb, disorient, and confuse, but this article looks specifically at the figure of noise “striking” – rather than, say, a rumbling or murmuring disquiet – us to examine its potential to unsettle European liberal hegemonic norms of ordering society and the inequalities they produce. In particular, it focuses on noisy protest, rebellion, and riot which might “awaken” citizens to these injustices and efforts to suppress them. Drawing on work of Saidiya Hartman, Christina Sharpe, Lauren Berlant, Fred (...) Moten, Jacques Derrida, and Catherine Malabou, this article replays and dislodges the long-standing distinction between noise and logos by examining the transformative capacity of noise as something differential that inserts inconvenience into non-relational forms of sovereignty. (shrink)

This introduction to the special issue asks, in the company of Jacques Derrida’s recently ‘rediscovered’ seminar Geschlecht III, what it might mean to read this text against the grain of everything that is said in the German word Geschlecht, including the gesture of having made an archival discovery and its attendant enforcements of recovered origins, philological-genealogical authority, familial unity and consonance of signification. It reflects on how returning to Heidegger gives Derrida the opportunity to take stock of the risks and (...) structural inequities inherent in texts and their legacies, and from which Heidegger retreats in the very instances he insists on his own attention to textual and philosophical idiomaticity. We explore how, for Derrida, Heidegger is indebted to a tradition of thinking sameness in difference that coerces conciliation in the name of achieving a ‘tender duality’ between pairs. With Derrida, we argue that Heidegger’s thinking on the two-in-need-of-compromise conceals a violence of domination or subordination to the gentle tones of simplicity and gathering. We ask, finally, what it means to specify (domestic, racial, anthropocentric) unicity as ‘good’ and what this implies for reading archives and legacies once we understand such specification as a form of coercion and violence. (shrink)

A missed phone call. A misheard word. An inaudible noise. All these can make the difference between life and death. Failures to listen are frequently at the root of the marginalization and exclusion of certain forms of life. Audibility decides livability. Shattering Biopolitics elaborates for the first time the intimate and complex relation between life and sound in recent European philosophy, as well as the political stakes of this entanglement. Nowhere is aurality more pivotal than in the dialogue between biopolitical (...) theory and deconstruction about the power over and of life. Closer inspection of these debates reveals that the main points of contention coalesce around figures of sound and listening: inarticulate voices, meaningless sounds, resonant echoes, syncopated rhythms, animal cries, bells, and telephone rings. Shattering Biopolitics stages a series of "over-hearings" between Jacques Derrida and Giorgio Agamben who often mishear or completely miss hearing in trying to hear too much. Notions of power and life are further diffracted as Hélène Cixous, Catherine Malabou, and Jean-Luc Nancy join in this high-stakes game of telephone. This self-destructive character of aurality is akin to the chanciness and risk of death that makes life all the more alive for its incalculability. Punctuating the book are a series of excurses on sound-art projects that interrogate aurality's subordination and resistance to biopower from racialized chokeholds and anti-migrant forensic voice analysis to politicized speech acts and activist practices of listening. Shattering Biopolitics advances the burgeoning field of sound studies with a new, theoretically sophisticated analysis of the political imbrications of its object of inquiry. Above all, it is sound's capacity to shatter sovereignty, as if it were a glass made to vibrate at its natural frequency, that allows it to amplify and disseminate a power of life that refuses to be mastered. (shrink)

Taking off from the Flügelschlag or coup d’aile in Trakl’s poem to which the ‘ Ein’ of ‘Ein Geschlecht’ responds with the Grundton (fundamental or tonic) of the Gedicht (poem), the article tracks the figure of this noisy wing-flap as a metaphor for the force of reading (aloud) from Geschlecht III to exchanges between Derrida and Cixous in Voiles, Insister, ‘ Fourmis’ and other texts. Alongside figures of take-off, there are also repeated images in these texts of frozen flights and (...) broken or belimed wings which may be connected with the quasi-methodological remarks about the irreducible violence of reading in Glas. This more rigorously deconstructive thought of the coup d’aile moreover implicates a certain sonorousness in reading and thus ought to be understood in tension with the silencing of the gathering ‘Ein Geschlecht’. In conclusion — making a series of leaps within Derrida’s writing — a connection is made between this force of reading and the Cixousian puisse that Derrida analyses as the deconstruction of possibility. (shrink)