In a series of works published over the last thirty years, Rudolf Makkreel accomplished what can be called a hermeneutical rehabilitation of Kant’s Critique of Judgment. Such a rehabilitation has been formulated in explicit opposition to the negative hermeneutical image of Kant’s aesthetics which originated in the work of Hans-Georg Gadamer, and according to which the subjectivization of aesthetics perpetrated by Kant reduced aesthetic judgments to a mere communication of feelings, sanctioning thereby their hermeneutical irrelevance. In this essay I do (...) not intend to evaluate the legitimacy of Makkreel’s considerations about the hermeneutical importance of Kant’s Third Critique. Rather, I aim to question the pertinence of those considerations for Gadamer’s criticism of Kant, specifically in relation to the notion of sensus communis, which plays a central role both in Gadamer’s and Makkreel’s analyses. (shrink)

Over the last few decades, the notion of improvisation has enriched and dynamized research on traditional philosophies of music, theatre, dance, poetry, and even visual art. This Handbook offers readers an authoritative collection of accessible articles on the philosophy of improvisation, synthesizing and explaining various subjects and issues from the growing wave of journal articles and monographs in the field. Its 48 chapters, written specifically for this volume by an international team of scholars, are accessible for students and researchers alike. (...) The volume is organized into four main sections: I. Art and Improvisation: Theoretical Perspectives II. Art and Improvisation: Aesthetic, Ethical, and Political Perspectives III. Improvisation in Musical Practices IV. Improvisation in the Visual, Narrative, Dramatic, and Interactive Arts Key Features: Treats improvisation not only as a stylistic feature, but also as an aesthetic property of artworks and performances as well as a core element of artistic creativity. Spells out multiple aspects of the concept of improvisation, emphasizing its relevance in understanding the nature of art. Covers improvisation in a wide spectrum of artistic domains, including unexpected ones such as literature, visual arts, games, and cooking. Addresses key questions, like: - How can improvisation be defined and what is its role in different art forms? - Can improvisation be perceived as such, and how can it be aesthetically evaluated? - What is the relationship between improvisation and notions such as action, composition, expressivity, and authenticity? - What is the ethical and political significance of improvisation? (shrink)

Les philosophies de Schelling et Schopenhauer ont souvent été mises en relation, soit sur la base d'une influence supposée du premier sur le second (en relation avec le concept de Volonté), soit en raison d'une série de catégories simplificatrices (irrationalisme, pessimisme) qui n'ont pas contribué à la formulation d'un jugement fondé sur la connaissance et la compréhension des textes. L'objectif de cette étude est d'utiliser les notions de temps et d'éternité comme une première clé théorétique permettant d'éclairer les relations et (...) les différences entre ces deux philosophies. Cette analyse conduit à une reconsidération de la position historique de deux pensées qui, selon la thèse de l'auteur, doivent être toutes deux ramenées à leur contexte philosophique originaire, celui du post-kantisme, dans lequel il faut inclure toutes les pensées, idéalisme inclus, qui se sont développées à partir d'une réflexion sur les concepts mis à disposition par l'oeuvre kantienne. (shrink)

The purpose of this paper is twofold: firstly, it aims to analyze the philosophical debate between Gadamer and Blumenberg concerning the notion of secularization, which, in the author's view, has received less attention than it deserves; secondly, it intends thereby to shed light on an ontological ambiguity in Gadamer's hermeneutics, unintentionally detected by Blumenberg in his reply to Gadamer's review of The Legitimacy of the Modern Age. The importance of the paper is both historical-philosophical and theoretical: it spells out different (...) aspects of a philosophical discussion whose relevance concern not only the secularization debate, but more generally the philosophy of history and the role of metaphors in understanding. The most relevant original contribution consists in the usage of Blumenberg's notion of background metaphorics as a tool for interpreting the role of the notion of history of effects in Gadamer's hermeneutics. (shrink)