Intervening in the multidisciplinary debate on emotion, Tropes of Transport offers a fresh analysis of Hegel’s work that becomes an important resource for Pahl’s cutting-edge theory of emotionality. If it is usually assumed that the sincerity of emotions and the force of affects depend on their immediacy, Pahl explores to what extent mediation—and therefore a certain degree of manipulation but also of sympathy—is constitutive of emotionality. Hegel serves as a particularly helpful interlocutor not only because he offers a sophisticated analysis (...) of mediation, but also because, rather than locating emotion in the heart, he introduces impersonal tropes of transport, such as trembling, release, and shattering. (shrink)

Das Studium von Valérys Metalepsis und Kleists hybrider Ästhetik führt den Beitrag zu einer Untersuchung von Gefühlen als »offene Objekte«. Anhand von Dopplungen und Paarungen präsentiert Kleists Theater Emotionalität als »Dinggefühl« im Doppelsinn von »das fühlende Ding« (z. B. ein menschlicher Körper) und »das Gefühl als Ding« (z. B. ein Dolch): als ein offenes, komplexes und dynamisches Gefüge von menschlichen und paramenschlichen Aktanten, die auf ihre Unstimmigkeit mit sich selbst reagieren. Via an analysis of Valéry's metalepsis and Kleist's hybrid aesthetics, (...) this essay offers an account of feelings as. Through doublings and couplings, Kleist's theater presents emotionality as in the double sense of the thing that feels (a human body, for example) and the thing that feeling is (a dagger, for example): as an open, complex, and dynamic assemblage of human and para-human actants that responds to its incongruence with itself. (shrink)

Via an analysis of Valéry's metalepsis and Kleist's hybrid aesthetics, this essay offers an account of feelings as. Through doublings and couplings, Kleist's theater presents emotionality as in the double sense of the thing that feels (a human body, for example) and the thing that feeling is (a dagger, for example): as an open, complex, and dynamic assemblage of human and para-human actants that responds to its incongruence with itself.

Emotional subjects: Heart. Pathos -- Emotional syntax: Release. Juggle. Acknowledging. Trembling. Broken -- Epilogue: against emotional violence.