Order:
  1.  28
    Affect and Non-Uniform Characteristics of Predictive Processing in Musical Behaviour.Rebecca S. Schaefer, Katie Overy & Peter Nelson - 2013 - Behavioral and Brain Sciences 36 (3):226-227.
    The important roles of prediction and prior experience are well established in music research and fit well with Clark's concept of unified perception, cognition, and action arising from hierarchical, bidirectional predictive processing. However, in order to fully account for human musical intelligence, Clark needs to further consider the powerful and variable role of affect in relation to prediction error.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark   2 citations  
  2.  38
    Music, Consciousness, and the Brain: Music as Shared Experience of an Embodied Present.Andy McGuiness & Katie Overy - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. pp. 245.
    Direct download  
     
    Export citation  
     
    Bookmark   1 citation  
  3.  14
    Revisiting the “Enigma” of Musicians with Dyslexia: Auditory Sequencing and Speech Abilities.Jennifer Zuk, Paula Bishop-Liebler, Ola Ozernov-Palchik, Emma Moore, Katie Overy, Graham Welch & Nadine Gaab - 2017 - Journal of Experimental Psychology: General 146 (4):495-511.
    Direct download (4 more)  
     
    Export citation  
     
    Bookmark  
  4.  3
    Moving to Music: Effects of Heard and Imagined Musical Cues on Movement-Related Brain Activity.Rebecca S. Schaefer, Alexa M. Morcom, Neil Roberts & Katie Overy - 2014 - Frontiers in Human Neuroscience 8.
  5.  1
    Music, Consciousness, and the Brain: Music as Shared Experience of an Embodied Present.Andy McGuiness & Katie Overy - 2011 - In David Clarke & Eric F. Clarke (eds.), Music and Consciousness: Philosophical, Psychological, and Cultural Perspectives. Oxford University Press. pp. 245.
    Direct download  
     
    Export citation  
     
    Bookmark