This study delves into the significant ethical criteria in the context of global standards. It addresses the moral wrongdoings and adverse side effects associated with global value chains as discussed in the business ethics literature. The methodology involves theoretical application and synthesis. The study employs ethical principles from deontology, consequentialism, and political cosmopolitanism to establish normative criteria such as “injustice and harm to others” and “bad outcomes.” It further investigates how these criteria should influence consumers' decisions, actions, and responsibilities. These (...) criteria are then used to examine the moral wrongdoings and negative effects mentioned in global standards. The study explores how global standards implicitly express consumers' roles in governing global value chains. It scrutinizes consumers' actions and decisions by applying ethical frameworks to global standards. The study outlines consumers' individual and political responsibilities in achieving the goals of global standards. The research findings have implications for governments, consumers, and organizations in practicing shared responsibility. The aim of this research is to provide normative guidance for responsible actions. (shrink)

This paper asks questions about 'trauma' and its cultural representation specifically, trauma's representation in the cinema. In this respect, it compares and contrasts the work of Robert Bresson, in particular his 1967 masterpiece, Mouchette , with contemporary Hollywood film. James Mangold's 1999 'Oscar-winning' Girl, Interrupted offers an interesting example for cultural comparison. In both Mouchette and Girl, Interrupted the subject matter includes, amongst other traumatic experiences, rape, childhood abuse and suicide. The paper ponders the question of whether such aspects of (...) trauma can ever be authentically represented on film; or, whether, on the contrary, through the deployment of cultural stereotypes, cinematic representation tends rather to reproduce the very forms of structural power which are, in the first place, trauma's primary cause. Bresson emerges from this analysis in a favourable light for, whereas Mangold stereotypes victims of trauma and represents traumatic experience itself as inevitable and over-determined, Bresson always retains for the victim a sense of critical agency. By contrasting key scenes from both films, the paper suggests that contemporary popular cinema (the 'Hollywood-ized' form), working in tandem with institutions of social control, such as psychiatry, does not subvert but, in fact, reproduces patterns of structural power. This argument has particular significance for the cultural representation of women. The paper is theoretically framed by Simone Weil's reflections on both 'representation' and 'structural power'. (shrink)

This literature review systematically synthesizes studies that link consumer research to differences and similarities in virtue ethics between the East and the West, with a focus on early Chinese and ancient Greek virtue ethics. These two major traditions provide principles that guide consumer behavior and thus serve as a background to comparatively explain and evaluate the ethical nature of consumer behavior in the East and the West. The paper first covers Eastern and Western theoretical and normative approaches of virtue ethics (...) in the field of consumer research. The subsequent systematic literature review then synthesizes empirical works in this field. Since only a few papers adopt a cross-cultural consumer research perspective, one of the main aims of this review is to encourage scholars to pursue both theoretical and empirical cross-cultural consumer research on virtue ethics. To this end, the paper closes by suggesting some fruitful directions for future research to stimulate this relatively under-researched area. (shrink)

This study identifies two major problems related to the theory of interactivity: how interactivity can be defined and how it can be measured. The article addresses these problems by critiquing existing classifications and scales for measuring the level of interactivity. It suggests an alternative way of looking at interactivity from the Bakhtinian perspective and states that interactivity is a relation and therefore, cannot be measured.

This study analyses the problem of change. The problem of change can be defined from the point of view of Parmenides who thought there is no change at all. This study explains how change can be viewed as narrative. If we accept that change is narrative, such approach will enable us to look at the central problem in metaphysics, the problem of change, from a fresh perspective and apply Bakhtinian concepts of ‘carnival’, ‘grotesque’, ‘dialogic relationship’, and ‘unfinalizability’ to change. The (...) discussions on change usually have been revolving around the observed system. Bakhtinian perception shows another theoretical orientation by highlighting the role of the observer who decides what the change is. Regarding the question of change for a specific object, a few questions are significant: For whom is the change happening? What is changing? When is the change happening? Where is the change happening? (shrink)

This article examines interactivity using the concept of dialogic relationships introduced by Russian philosopher Mikhail Bakhtin and the concept of transtextuality, proposed by French literary theorist Gérard Genette. These concepts help to reveal two parallel strata of interactivity: the stratum of interactivity between the viewer and the message and the stratum of interactivity that exists inside the message and its surrounding. It concludes that interactivity can be conceived as a relation and that the message is a co-creation. The study contributes (...) to the theory of interactivity, which challenges the existing – and rather limited – advertising theories and offers an alternative Bakhtinian perspective on the phenomenon of interactivity. (shrink)

Many questions arise in any Western discussion of China’s Belt and Road Initiative. Does China’s BRI represent a new world order that aligns with European values and interests? Alternatively,...

In recent years there has been an increased interest in the research dedicated to the ethics and morality of supply chains. The concept of Corporate Social Responsibility (CSR) dominates the literature on supply chain ethics in management education. The objective of this paper is to develop some propositions to complement and look more broadly and differently at these management concepts. Supplementing these concepts with the fundamental questions on the meaning of ‘what a moral supply chain is’ and ‘what moral supply (...) chain ought to be,’ we develop some descriptive and normative propositions for management education on the ethics of supply chains. Against a descriptive viewpoint, we propose that judgments on the morality of supply chains should be viewed from multiple perspectives, often conflicting. Against a normative viewpoint, we propose some reflections on how to apply Aristotelian practical wisdom in management education on supply chain ethics. (shrink)

1 Che cose il nichilismo? Se il nichilismo è una malattia, come ripetono concordi tutti coloro che ne hanno parlato, vorrei proporne una diagnosi e una terapia. Se applicata con la dovuta attenzione, vedrete, potrete guarire in due minuti e spendendo meno di un Euro. La lunga diagnosi scritta da Nietzsche a Lenzerheide, in una stanza umida e buia che certo non avrà aiutato, insiste sul fatto che con il nichilismo vien meno la risposta alla domanda «perché», come dire (...) «a che scopo». Dal punto... (shrink)

Eu estava no campinho de futebol da casa dos meus pais, os quero-queros tinham feito ninho e seus três filhotes pequenos estavam aprendendo a comer bicando lá sei eu o quê numa parte mais úmida, onde nas chuvas corria uma fonte. Quando os quero-queros faziam ninho, cessavam todas as peladas. Não havia nem discussão, afinal eles moravam aí antes de chegarem os humanos, o terreno era deles, nós éramos os invasores. Um gato espreitava os filhotes, pronto para dar o bote. (...) Em vez de dar de ombros e dizer “é a lei da natureza”, espantei o gato. (shrink)

This has all the appearance of being a straightforward, even conventional, transition. Indeed, the conceit of Night′s chariot is common and has a history stretching back at least as far as the beginning of the fifth century B.C. Night is elsewhere described by Virgil as umida, the epithet reflecting the traditional view that Night, like Dawn , arises from and sinks back into the stream of Ocean. In fact, the chariot of Night had been referred to as recently as (...) lines 721 and 738 of this book, in the latter instance with the epithet umida applied to Night. What is new and interesting in our passage is the ‘meta caeli’ round which Night′s chariot turns. The effect of this novelty is to make of Night′s vehicle a racing chariot, as it is the chariots in the Circus that must negotiate a meta. The programmatic reasons for Virgil′s having done this in Book 5 are obvious. Earlier in the book Virgil had described the games held in honour of the anniversary of Anchises′ death. The first and most elaborately portrayed event in these games had been the boat-race, which is plainly modelled on the chariot-race in Iliad 23, the first and most elaborately portrayed event in the funeral games for Patroclus. Just as Achilles had required the competing chariots to race once around a distant turning-post, so Aeneas requires the competing ships to race once around a rock out at sea, which rock is three times called a meta . A simile comparing the sailors and their ships to charioteers and their teams makes the connection explicit. (shrink)