"This innovative volume argues that any particular kind of music can only be understood in terms of the criteria of the group which makes and appreciates that music. This theme is in sharp contrast to established attitudes to music which utilize 'objectively' conceived aesthetic. These attitudes are revealed in the assumptions underlying most musicology and musical aesthetics including, perhaps paradoxically, the work of a number of cultural radicals such as Lukacs and Adorno. On a more practical level, they manifest themselves (...) both in music education policies and in the policies of arts and broadcasting administrators, who have the power to promote some kinds of music above others. (shrink)

Despite its plurality of forms and doctrines Christianity does contain a constant religious doctrinal core based on a putative continuity between Jesus' teaching and the church's kerygma. Its elements are: 1) human salvation through divine forgiveness; 2) the fact of decisive divine intervention in history to bring us salvation; 3) acknowledgement of the role of Jesus as supreme mediator of that salvation through his ministry and teaching (but not through an atoning death); 4) possible acceptance of the Resurrection in some (...) sense. A minimal, though untraditional, Christian orthodoxy might consist of faith in God and in Jesus as Saviour (or Lord), interpreting these formulae in terms of these three or four elements. (shrink)