Bourdieu's academic work and his political interventions have always proved controversial, with reactions varying from passionate advocacy to savage critique. In the last decade of his career, the French sociologist Pierre Bourdieu became involved in a series of high-profile political interventions, defending the cause of striking students and workers, speaking out in the name of illegal immigrants, the homeless, and the unemployed, challenging the incursion of the market into the field of artistic and intellectual production. This new study presents the (...) first sustained critical analysis of the political implications of Bourdieu's sociology. Through a close reading of the political speeches and pronouncements of his later years, Jeremy F. Lane provides a detailed exposition both of Bourdieu's critique of neo-liberalism and of his own political position. Bourdieu's theory of politics is also brought into critical dialogue with the work of a range of other commentators of a broadly Marxist or post-Marxist orientation who have also intervened in such debates - theorists such as Stuart Hall, Ernesto Laclau and Chantal Mouffe, Judith Butler, Slavoj Zizek and Jacques Rancière. The first sustained analysis of Bourdieu's politics - this study will seek to assess the validity of his claims as to the distinctiveness and superiority of his own field theory as a tool of political analysis. It will be of great use to students, and researchers in sociology, social theory; cultural studies, French studies and political science. (shrink)

Pierre Bourdieu's work on literature has frequently been criticized for its perceived failure to attend to the specificities of literary form. This article argues that, in fact, literary form plays an important role in Bourdieu's theorizations of literature, or rather, that form is called upon to play a range of different, potentially conflicting roles. Through close readings of both The Rules of Art and the 1975 essay ‘L'Invention de la vie d'artiste’, the article seeks to clarify the different roles Bourdieu (...) attributes to literary form, as that which both conceals and reveals ‘repressed’, ‘incorporated’ or ‘unconscious’ social realities. It will examine Bourdieu's contention that the literary work functions analogously to the Freudian dreamwork in this respect, and will question how appropriate or convincing that analogy proves to be. (shrink)