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James Mock [5]James W. Mock [5]James William Mock [1]
  1.  2
    American Ruins, Aesthetic Responses, and Speculations.James Mock - 2020 - Southwest Philosophy Review 36 (1):179-185.
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  2.  3
    Comment on David Hildebrand’s “Art is not Entertainment: John Dewey’s Pragmatist Defense of an Aesthetic Distinction”.James W. Mock - 2015 - Southwest Philosophy Review 31 (2):67-70.
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  3.  2
    Comment on Nate Jackson’s “John Dewey and the Possibility of Moral Particularist Education”.James W. Mock - 2016 - Southwest Philosophy Review 32 (2):77-80.
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  4.  3
    On Campana’s “The Coherence of Emerson’s Epistemology”.James Mock - 2019 - Southwest Philosophy Review 35 (2):49-51.
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  5.  7
    On Glen Tiller’s “Being Denied: Analytic Metaphysics and American Philosophy”.James Mock - 2017 - Southwest Philosophy Review 33 (2):51-54.
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  6.  3
    On Kenneth L. Brewer’s “There Will be Monsters: A Defense of Noël Carroll’s Defi nition of the Horror Genre”.James Mock - 2018 - Southwest Philosophy Review 34 (2):79-81.
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  7.  7
    Possible Influences by and upon David Hume and the Writing “Of the Standard of Taste”.James W. Mock - 2011 - Southwest Philosophy Review 27 (1):83-91.
  8.  5
    Response to “Hume and the Ethics of Taste”.James Mock - 2014 - Southwest Philosophy Review 30 (2):37-39.
  9.  8
    Bicknell, Jeanette, Jennifer Judkins, and Carolyn Korsmeyer, eds. Philosophical perspectives on ruins, monuments, and memorials. New York: Routledge, 2019, 304 pp., $155.00 cloth. [REVIEW]James W. Mock - 2020 - Journal of Aesthetics and Art Criticism 78 (3):383-386.
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  10.  2
    CAME, DANIEL, ed. Nietzsche on Art and Life. Oxford University Press, 2014, 255 pp., $74.00 cloth. [REVIEW]James W. Mock - 2016 - Journal of Aesthetics and Art Criticism 74 (2):210-212.
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