It has been described as a "tame longing without any particular object" by Schopenhauer, "a bestial and indefinable affliction" by Dostoevsky, and "time's invasion of your world system" by Joseph Brodsky, but still very few of us today can explain precisely what boredom is. _A Philosophy of Boredom_ investigates one of the central preoccupations of our age as it probes the nature of boredom, how it originated, how and why it afflicts us, and why we cannot seem to overcome it (...) by any act of will. Lars Svendsen brings together observations from philosophy, literature, psychology, theology, and popular culture, examining boredom's pre-Romantic manifestations in medieval torpor, philosophical musings on boredom from Pascal to Nietzsche, and modern explorations into alienation and transgression by twentieth-century artists from Beckett to Warhol. A witty and entertaining account of our dullest moments and most maddening days, _A Philosophy of Boredom_ will appeal to anyone curious to know what lies beneath the overwhelming inertia of inactivity. (shrink)

Pour appréhender le costume en archéologie protohistorique européenne, il faut le plus souvent se satisfaire des accessoires vestimentaires métalliques conservés dans les sépultures, tels que les fibules et les éléments de ceinture. Cette nature instable des vestiges limite notre compréhension de l’implication du costume dans la construction sociale des différences entre les individus des ensembles funéraires. Néanmoins, l’examen des éléments métalliques de ceinture permet d’avoir une image dynamique de l’emploi de ces objets dans la représentation et la création de ces (...) différences, qui ne reposent pas nécessairement sur une dualité entre des ensembles sépulcraux dits « masculins » ou « féminins ». La ceinture doit être investie d’une signification symbolique particulière pour devenir un objet participant à la structuration des différences entre les genres. (shrink)

The Archaeology of Prehistoric Arabia: Adaptation and Social Formation from the Neolithic to the Iron Age. By Peter Magee. Cambridge World Archaeology. New York: Cambridge University Press, 2014. Pp. xv + 309, illus. $99.

Communities of Style: Portable Luxury Arts, Identity, and Collective Memory in the Iron Age Levant. By Marian H. Feldman. Chicago: University of Chicago Press, 2014. Pp. xvii + 250, illus. $70.

The polis, the dominant political form around which ancient Greeks structured their lives and activities, is perhaps their most fundamental creation and enduring legacy. It was a highly successful form of social organization in which Greek culture thrived, including architecture, literature, and philosophy. In this book, ancient historian John Ma offers a new history of the polis from its origins in the Early Iron Age through its eclipse in Late Antiquity. He aims to answer a few big questions about (...) it-Why did it emerge? What needs did it fulfill? How did it work? In addition, it is often assumed that the polis, along with the concomitant values of democracy and freedom, came to an end with the Classical period. Taking a contrary view, Ma explores how it endured under imperial control (the Persian Achaimenids, the Hellenistic kings, the Roman Empire), as well as why and how it eventually ended. In addressing these questions, Ma examines not only the most well-known ancient city-states like Sparta and Athens but also many lesser-known ones. He shows how complex the relations of power, access, and membership between the city, the territory, and the members of the polis were. Ma also examines the polis's significance as a social form and looks to the people who constitute the polis, from free adult men-stakeholders in institutional power, slaveowners, or heads of households-and elites to women, foreigners, and enslaved peoples, however disempowered. He draws on recent work on gender and slavery to evaluate the place of domination and violence in the polis. In doing so, Ma shows how the composition of the citizen body is both a political and social issue. The powerful combination of central political ideas and conflict around the issues of autonomy and social power led, Ma argues, to a "great convergence" of polis forms, producing a relatively uniform, stable organism, centred on communitarian, democratic forms and bargains between the community and its elites. This convergence led to the diffusion and harmonization of polis forms, both within and beyond the Aegean, and which allowed them to endure for almost a thousand years with an even longer legacy. (shrink)

This book investigates the chaotic end of the Bronze Age in the Aegean and Eastern Mediterranean through the lens of Homeric poetry, with an emphasis on the description of piratical activities described in the Odyssey’s “Second Cretan Lie,” and on the impact of revolutionary seafaring technology in this watershed period in Mediterranean history.

Our present models and theories of African history and prehistory are profoundly influenced by the physical anthropologists’ perceptions of human reality in present-day Africa. Professor P. V. Tobias has suggested that the present-day people of Africa, excluding the recent arrivals from Europe and Asia, descended from a common proto-Negriform stock which gave birth first to the so-called “Khoisan” (I am using here the terminology of my source, not the historically justified Khoe and San, meaning the Hottentots and the Bushmen) and (...) later to the Negro genetic type. Of greater importance to archaeologists, who deal mainly with the so-called pre-history, is the fact that, genetically speaking, the difference between the “Khoisan” and the Negroids is smaller than the difference between these two African racial types and all other non-African types. This realisation tends to have one consequence: the pre-historic and even historic developments are generally perceived as explainable from within Africa, without any need for external clues or explanations. Archaeological finds are thus taken for evidence of a basically internal evolution and the finds of foreign glass beads, though very frequent and spread all over Africa, are seen as belonging to the same category as Persian, Chinese, or Arab ceramics and are explained as indication of a coastal trade. (shrink)

MAKKY, L. : Obraz, umenie a kultúra doby železnej na Slovensku: Umelecký a estetický pohľad. Prešov: Filozofická fakulta Prešovskej univerzity v Prešove. ISBN 978-80-555-1843-5.

MAKKY, L. : Obraz, umenie a kultúra doby železnej na Slovensku: Umelecký a estetický pohľad. Prešov: Filozofická fakulta Prešovskej univerzity v Prešove. ISBN 978-80-555-1843-5.