In this volume, written in honour of the eightieth birthday of Professor Shimon Glick, world renowned experts in the field of medical ethics struggle with the question of how to weigh the respective values of autonomy, altruism and authority in dealing with real life bioethical dilemmas.

The paper addresses the capabilities and limitations of extrafoveal processing during a categorical visual search. Previous research has established that a target could be identified from the very first or without any saccade, suggesting that extrafoveal perception is necessarily involved. However, the limits in complexity defining the processed information are still not clear. We performed four experiments with a gradual increase of stimuli complexity to determine the role of extrafoveal processing in searching for the categorically defined geometric shape. The series (...) of experiments demonstrated a significant role of extrafoveal processing while searching for simple two‐dimensional shapes and its gradual decrease in a condition with more complicated three‐dimensional shapes. The factors of objects’ spatial orientation and distractor homogeneity significantly influenced both reaction time and the number of saccades required to identify a categorically defined target. An analysis of the individual p‐value distributions revealed pronounced individual differences in using extrafoveal analysis and allowed examination of the performance of each particular participant. The condition with the forced prohibition of eye movements enabled us to investigate the efficacy of covert attention in the condition with complicated shapes. Our results indicate that both foveal and extrafoveal processing are simultaneously involved during a categorical search, and the specificity of their interaction is determined by the spatial orientation of objects, type of distractors, the prohibition to use overt attention, and individual characteristics of the participants. (shrink)

Demonstrating how radical political transformation might be facilitated from within the much maligned aesthetic category of realism, the author examines a number of contemporary works from Big Brother, Melancholia, catfish, and This is Not a Film to Alize Shvarts' "abortion art." Her discussion of these pieces suggests new understandings of the role of trope l'oeil in illusion, the rendering of realism's limitations, and relationships between hypervirtuality and simulation. The author's core project throughout is to develop a framework for thinking (...) about contemporary forms of realism which, rather than focusing on the importance of seeing beyond deceptions that distort reality, argues that reality lies within the deceptions themselves. (shrink)