As newer interdisciplinary fields gain momentum, long-forgotten works are excavated from the literary canon and reevaluated under the lens of ecocriticism. Traditionally, fictional animal characters were seen as merely symbolic, comical, or trivial. Yet times and attitudes have changed, as evidenced by the growing impetus of animal welfare campaigns, posthumanism, and critical animal studies. Few fictional works dealing with laboratory experiments offer a subjective account of the victims’ agonizing experience. This article will examine Mark Twain’s A Dog’s Tale and Richard (...) Adams’s The Plague Dogs, depicting vivisection from the nonhuman perspective. (shrink)

The photo essay that comprises Elephant House bears mournful testimony to the severely restricted lives of the world’s largest terrestrial mammals at the Oregon Zoo, as well as similar “educational” institutions throughout the United States and the world. While purporting to remain neutral regarding the ethics of keeping pachyderms in captivity, ethno-photographer Dick Blau and author-historian Nigel Rothfels’s provocative book could easily arouse angry or disconsolate reactions in many readers. Rather than focusing on the pachyderms themselves, Elephant House takes a (...) more anthropocentric stance, pinpointing the intertwined relationships between these magnificent animals and the humans who strive to keep them as mentally stimulated and healthy as possible, albeit in a hopelessly confined and unnatural environment. (shrink)

Animals are ubiquitous in literature across all ages and cultures, but their actual presence has seldom been taken seriously, and scholarly endeavors often dismiss them. In Writing for Animals: New Perspectives for Writers and Instructors to Educate and Inspire, 13 fiction writers explore techniques used by themselves and other celebrated authors to make nonhuman worlds more comprehensible to readers, thus instilling us with greater sensitivity. This book bears testimony to the mounting awareness that animals have been treated badly for eons (...) both in real life and in literature, and that the written word has the unique capability for finally “giving animals the voices they deserve.”. (shrink)