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Fred Moten [6]Frederick Moten [2]Frederick Charles Moten [1]
  1.  4
    Stolen Life.Fred Moten - 2018 - Duke University Press.
    "Taken as a trilogy, _consent not to be a single being_ is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of _Epistrophies: Jazz and the Literary Imagination_ In _Stolen Life_—the second volume in his landmark trilogy _consent not to be a single being_—Fred Moten undertakes an expansive exploration of blackness as it relates to black life and the collective refusal of social death. (...)
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  2.  6
    The Universal Machine.Fred Moten - 2018 - Duke University Press.
    "Taken as a trilogy, _consent not to be a single being_ is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of _Epistrophies: Jazz and the Literary Imagination_ In _The Universal Machine_—the concluding volume to his landmark trilogy _consent not to be a single being_—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon in which he explores (...)
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  3. Afterword. Notes on Professor Martin Luther Kilson's work.Stefano Harney & Fred Moten - 2021 - In Martin Kilson (ed.), A Black intellectual's odyssey: from a Pennsylvania milltown to the Ivy League. Duke University Press.
     
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  4. Preface.Fred Moten & Stefano Harney - 2018 - In Tyson E. Lewis (ed.), Inoperative learning: a radical rewriting of educational potentialities. Routledge is an imprint of the Taylor & Francis Group, an Informa Business.
     
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  5.  9
    The Undercommons: extraits.Stefano Harney, Fred Moten, L. Deep & Yves Citton - 2020 - Multitudes 2:144.
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  6.  23
    Tragedy Elegy Improvisation.Frederick Moten - 1994 - Semiotics:431-449.
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  7.  21
    "Stanza, Record, Frame.Frederick Moten - 1993 - Semiotics:268-278.