This book is a phenomenological investigation of the zoo visit experience. Why Do We Go to the Zoo? is rooted in Husserlian phenomenology and focuses on the communicative interactions between humans and animals in the zoo setting.

The publication of the Phenomena of power: Authority, domination, and violence into English allows for the English-speaking world to engage the work of Heinrich Popitz. Popitz provides a thorough and organized description of how power operates in social relations that should be valuable to any scholar of the human sciences. This essay is supportive of Popitz’s project, but seeks a critical engagement by extending the analysis on violence and technical power. I argue that reading Popitz alongside the decolonial thinker, Franz (...) Fanon and the media ecologist, Marshall McLuhan can provide important correctives. In particular, Fanon’s analysis that the colonial use of rhetorical power to dehumanize the oppressed and McLuhan’s comment on the importance of the control of medium are missing in an otherwise very thorough philosophical anthropology on the phenomena of power. (shrink)

This article reexamines Alfred Schutz’s famous 1944 Stranger essay and the initial criticism of Aron Gurwitsch. I side with Schutz in thinking of the refugee as a special type of stranger. Then to respond to the charge that the essay is not philosophical enough from Gurwitsch, I read Schutz’s notion of the strange with Husserl’s notion of homeworld and Levinas’s notion of fecundity. This allows us to see the philosophical depth of doing a phenomenology of the stranger and strangeness.

From Emily Litella to Grumpy Old Man, from Joe Blow to Drunk Uncle, Saturday Night Live has long employed guest characters as “citizen journalists” on its famous Weekend Update segment. These characters have provided a comic take on everyday issues impacting the life of citizens in the public sphere. Two of the first philosophers who take up the modern problems of participatory democracy in the public sphere are John Dewey (1859–1952) and Walter Lippmann (1889–1974). “Weekend Update” provides us with a (...) foundation to understand what Dewey and Lippmann argued about news, democracy, and the formation of public opinion. Dewey's creative response to the problems of the public in democracy was not to rely on experts, but to rely on the arts and artists to help communicate important issues in the public sphere and foster more public participation. (shrink)