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  1.  25
    Into the neural maze.Donald Ia Macleod - 2010 - In Jonathan D. Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press.
    This chapter surveys a few of the so-called “easy” problems, as referred to by Chalmers, in understanding color perception. The obscurity of psycho-neural isomorphism is highlighted by the difficulties encountered in the domain of color, and while this theme has been discussed extensively, the discussion here at least provides an opportunity to review interesting facts and ideas about color vision. Trichromacy is considered first in this chapter, since it provides the most familiar example of physiological explanation in perception—an explanation generally (...)
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  2. Into the neural maze.Don MacLeod - 2010 - In Jonathan D. Cohen & Mohan Matthen (eds.), Color Ontology and Color Science. MIT Press.
  3.  24
    A computational analysis of colour constancy.Donald Ia Macleod & Jürgen Golz - 2003 - In Rainer Mausfeld & Dieter Heyer (eds.), Colour Perception: Mind and the Physical World. Oxford University Press.
  4. Phenomenology and mechanism.D. MacLeod - 2003 - In Rainer Mausfeld & Dieter Heyer (eds.), Colour Perception: Mind and the Physical World. Oxford University Press. pp. 431--434.
     
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  5.  24
    The pleistochrome: optimal opponent codes for natural colours.Donald Ia Macleod & Tassilo von der Twer - 2003 - In Rainer Mausfeld & Dieter Heyer (eds.), Colour Perception: Mind and the Physical World. Oxford University Press.
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  6.  5
    "A Mechanistic Perspective on the" Given.Donald Ia Macleod - 2012 - In Gary Hatfield & Sarah Allred (eds.), Visual Experience: Sensation, Cognition, and Constancy. Oxford University Press.
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  7. Homiletic.David G. Buttrick & Donald Macleod - 1987
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  8.  20
    Private and public patronage in Victorian newcastle.Dianne Sachko Macleod - 1989 - Journal of the Warburg and Courtauld Institutes 52 (1):188-208.
  9.  67
    The dialectics of modernism and English art.Dianne Sachko Macleod - 1995 - British Journal of Aesthetics 35 (1):1-14.
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