Results for 'Buddhist art '

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  1.  34
    The Ahmadis: Community, Gender, and Politics in a Muslim Society. By Antonio Gualtieri. Montreal and Kingston: McGill-Queen's University Press, 2004. Pp. xvi+ 192. Hardcover $65.00. Paper Cdn $24.95/US $19.95. American Knees. By Shawn Wong. Seattle and London: University of Washington Press, 2005. Pp. xxi+ 229. Paper $14.95. [REVIEW]Buddhist Inclusivism, Attitudes Towards Religious Others By Kristin & Beise Kiblinger - 2006 - Philosophy East and West 56 (2):365-366.
    In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedThe Ahmadis: Community, Gender, and Politics in a Muslim Society. By Antonio Gualtieri. Montreal and Kingston: McGill-Queen's University Press, 2004. Pp. xvi + 192. Hardcover $65.00. Paper Cdn $24.95 / U.S. $19.95.American Knees. By Shawn Wong. Seattle and London: University of Washington Press, 2005. Pp. xxi + 229. Paper $14.95.The Art of Worldly Wisdom. By Baltasar Gracian and translated by Joseph Jacobs. Mineola, NY: Dover Publications, 2005. Pp. (...)
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  2. At the Eleventh Hour: The Biography of Swami Rama. By Pandit Rajmani Tigu-nait, Ph. D. Honesdale, Pennsylvania: Himalayan Institute Press, 2002. Pp. 427. Hardcover $18.95. Awakening and Insight: Zen Buddhism and Psychotherapy. Edited by Polly Young-Eisendrath and Shoji Muramoto. Hove, England: Brunner-Routledge, 2002. [REVIEW]Dharma Bell, Dharan ı Pillar, Li Po’S. Buddhist Inscriptions By & Paul W. Kroll - 2003 - Philosophy East and West 53 (3):431-434.
    In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedAt the Eleventh Hour: The Biography of Swami Rama. By Pandit Rajmani Tigunait, Ph.D. Honesdale, Pennsylvania: Himalayan Institute Press, 2002. Pp. 427. Hardcover $18.95.Awakening and Insight: Zen Buddhism and Psychotherapy. Edited by Polly Young Eisendrath and Shoji Muramoto. Hove, England: Brunner-Routledge, 2002. Pp. xii + 275. Paper $24.95.Beyond Metaphysics Revisited: Krishnamurti and Western Philosophy. By J. Richard Wingerter. Lanham, Maryland: University Press of America, 2002. Pp. vii + (...)
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  3.  64
    The Ambitions of Curiosity: Understanding the World in Ancient Greece and China. By GER Lloyd. Cambridge: Cambridge University Press, 2002. Pp. xvi+ 175. Price not given. The Art of the Han Essay: Wang Fu's Ch'ien-Fu Lun. By Anne Behnke Kinney. Tempe: Center for Asian Studies, Arizona State University, 1990. Pp. xi+ 154. [REVIEW]Thomas L. Kennedy Philadelphia, Cross-Cultural Perspectives By K. Ramakrishna, Constituting Communities, Theravada Buddhism, Jacob N. Kinnard Holt & Jonathan S. Walters Albany - 2004 - Philosophy East and West 54 (1):110-112.
    In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedThe Ambitions of Curiosity: Understanding the World in Ancient Greece and China. By G.E.R. Lloyd. Cambridge: Cambridge University Press, 2002. Pp. xvi + 175. Price not given.The Art of the Han Essay: Wang Fu's Ch'ien-Fu Lun. By Anne Behnke Kinney. Tempe: Center for Asian Studies, Arizona State University, 1990. Pp. xi + 154. Paper $10.00.The Autobiography of Jamgön Kongtrul: A Gem of Many Colors. By Jamgön Kongtrul Lodrön (...)
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  4.  5
    The Buddhist Art of Nagarjunakonda. Elizabeth Rosen Stone.Mary Stewart - 1998 - Buddhist Studies Review 15 (1):133-135.
    The Buddhist Art of Nagarjunakonda. Elizabeth Rosen Stone. Buddhist Tradition Series 25, ed. Alex Wayman. Motilal Banarsidass, Delhi 1994. 143 pp. Rs.600. ISBN 81-208-0828-2.
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  5.  8
    The Buddhist art of living in Nepal: ethical practice and religious reform.Lauren G. Leve - 2017 - New York: Routledge/Taylor & Francis Group.
    Seeing things as they are -- "A garden of every kind of people": newar Buddhists in Hindu Nepal -- Buddhist modernism and the revival of "pure Buddhism" -- What makes a Theravada Buddhist? -- Becoming "pure Buddhist" (Part 1): practices of personhood -- Becoming "pure Buddhist" (Part 2): Vipassana meditation and the Theravada care of the self -- The best Dharma for today: post-Protestant Buddhism in neoliberal Nepal -- Conclusion: The Buddhist art of living, in (...)
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  6.  21
    Buddhist Art in India.Ernest Bender, Albert Grünwedel, Jas Burgess & Albert Grunwedel - 1971 - Journal of the American Oriental Society 91 (1):163.
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  7. Buddhist Art of Nagarjunakonda.B. N. Misra - 2005 - In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House. pp. 1--197.
     
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  8.  13
    Buddhism: art, architecture, literature & philosophy.G. Kamalakar & M. Veerender (eds.) - 2005 - Delhi: Sharada Pub. House.
    Contributed papers presented at the Seminar, organized by Birla Archaeological & Cultural Research Institute, Hyderabad; with reference to Andhra Pradesh, India.
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  9.  32
    Evolution of Buddhist Art.Manjulika Ghosh - 2008 - Proceedings of the Xxii World Congress of Philosophy 6:53-58.
    There is a problematique about Buddhist Art. It cannot be deduced directly from the basic tenets of ethical Buddhism. Early Buddhist views forbid art as sensuous luxury. Even when Buddhists employed art for edifying ends it was essentially representative and realistic. With the changes in Buddhist system of beliefs and the rise of Buddhist philosophical schools Buddhist art came to symbolize the ideals of tranquility and Karunā - the Mahāyāna ideals par excellence. The masterpiece of (...)
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  10.  6
    Authentic Replicas: Buddhist Art in Medieval China by Hsueh-man Shen.Janine Nicol - 2021 - Buddhist Studies Review 37 (2):261-264.
    Authentic Replicas: Buddhist Art in Medieval China by Hsueh-man Shen. Honolulu: University of Hawai‘i Press 2019. 352 pp.; 132 illustrations, 113 in colour. Hb $72 ISBN-13: 9780824867058.
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  11.  4
    Cave Temples of Dunhuang: Buddhist Art on China’s Silk Road ed. by Neville Agnew, Marcia Reed, and Tevvy Ball.Linda Safran - 2020 - Common Knowledge 26 (1):185-186.
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  12.  20
    Visual Dharma: The Buddhist Art of TibetThe Tibetan Book of the Dead: The Great Liberation Through Hearing in the Bardo.Robert A. F. Thurman, Chögyam Trungpa Rinpoche, Francesca Fremantle, Chögyam Trungpa, Chogyam Trungpa Rinpoche & Chogyam Trungpa - 1978 - Journal of the American Oriental Society 98 (2):139.
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  13.  16
    Literary Evidence for Early Buddhist Art in China.Leon Hurvitz & Alexander Coburn Soper - 1959 - Journal of the American Oriental Society 79 (2):146.
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  14.  33
    The Lotus Sutra in Chinese Art: A Study in Buddhist Art to the Year 1000.J. Leroy Davidson - 1955 - Journal of Aesthetics and Art Criticism 13 (3):415-415.
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  15.  3
    Agents of Uncertainty: Mysticism, Scepticism, Buddhism, Art and Poetry.John Danvers (ed.) - 2012 - Brill Rodopi.
    Through an analysis of many different examples, Danvers articulates a new way of thinking about mysticism and scepticism, not as opposite poles of the philosophical spectrum, but as two fields of enquiry with overlapping aims and methods. Prompted by a deep sense of wonder at being alive, many mystics and sceptics, like the Buddha, practice disciplines of doubt in order to become free of attachment to fixed appearances, essences and viewpoints, and in doing so they find peace and equanimity. They (...)
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  16.  5
    The evolution and spread of the image of "Nagas Bathing Siddhartha" in Buddhism Art.Xiaodan Liu, Huiwen Xia, Tao Ma & Qi Dang - 2023 - Trans/Form/Ação 46 (spe):263-284.
    Résumé: L’image du “Dragon baignant le prince” est un thème important dans l’art bouddhique. L’image est née en Inde, et pendant le processus de propagation du bouddhisme vers l’est, elle est apparue dans le Xinjiang, le Gansu, le Qinghai, le Shanxi, le Shaanxi, le Henan, le Shandong, le Jiangsu, le Sichuan, le Tibet et d’autres endroits en Chine. Cependant, la forme et le contenu de ces images sont différents selon les régions et les périodes. L’étude de cette différence est non (...)
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  17. Part V: Southeast Asian Aesthetics. Introduction to the Aesthetics of Southeast Asia / David Chou-Shulin ; Traditional Thai Buddhist Art and Modern Challenges / Suwanna Satha-Anand ; Poetry, Identity, and Social Modernisation / Lin Sheng-Bin ; Southeast Asia: Modern, Postmodern, or Premodern?David Chou-Shulin - 2010 - In Ken'ichi Sasaki (ed.), Asian Aesthetics. Singapore: National Univeristy of Singapore Press.
     
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  18.  21
    Amaravati: Buddhist Sculpture from the Great StūpaThe Buddhist Art of NāgārjunakoṇḍaAmaravati: Buddhist Sculpture from the Great StupaThe Buddhist Art of Nagarjunakonda.Robert L. Brown, Robert Knox & Elizabeth Rosen Stone - 1998 - Journal of the American Oriental Society 118 (2):303.
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  19.  15
    Ajaṇṭā: Its Place in Buddhist ArtAjanta: Its Place in Buddhist Art.Michael W. Meister & Sheila L. Weiner - 1978 - Journal of the American Oriental Society 98 (4):563.
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  20.  88
    The lotus symbol: Its meaning in buddhist art and philosophy.William E. Ward - 1952 - Journal of Aesthetics and Art Criticism 11 (2):135-146.
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  21.  20
    The Religious World of Kīrti Śrī: Buddhism, Art, and Politics in Late Medieval Sri LankaThe Religious World of Kirti Sri: Buddhism, Art, and Politics in Late Medieval Sri Lanka.Michael W. Charney & John Clifford Holt - 1998 - Journal of the American Oriental Society 118 (1):126.
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  22.  8
    Comment on “The evolution and spread of the image of "Nagas Bathing Siddhartha" in Buddhism Art”.Jie Tong - 2023 - Trans/Form/Ação 46 (spe):285-290.
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  23.  9
    Note on the Concept of 'Rupa' and the Origins of Buddhist Art.Anupa Pande - 1993 - Buddhist Studies Review 10 (2):179-186.
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  24. Narrative Structure and the Significance of the Snake Jatakas in Buddhist Art.Ratan Parimoo - 2005 - In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House. pp. 1--351.
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  25. Mandhata Legend as Found Depicted in Early Buddhist Art of Andhra.M. L. Nigam - 2005 - In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House. pp. 1--233.
     
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  26.  14
    Agents of Uncertainty: Mysticism, Scepticism, Buddhism, Art and Poetry.Amiya Bhushan Sharma - 2015 - The European Legacy 20 (6):683-684.
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  27.  8
    Review of Temples in the Cliffside: Buddhist Art in Sichuan. [REVIEW]Joy Lidu Yi - 2024 - Journal of the American Oriental Society 144 (1):190-192.
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  28.  6
    The arts of Hinduism, Buddhism & Zen: its religious beliefs & philosophy.Nancy Wilson Ross - 2017 - Gurgaon, India: Shubhi Publications.
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  29.  5
    The Art of Happiness - Teachings of Buddhist Psychology. Mirko Frýba. Translated by Michael H. Kohn.Amadeo Solé-Leris - 1992 - Buddhist Studies Review 9 (1):94-98.
    The Art of Happiness - Teachings of Buddhist Psychology. Mirko Frýba. Translated by Michael H. Kohn. Shambhala, Boston and Shaftesbury 1989. xvi, 301 pp. US$15.95.
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  30.  6
    The art and skill of Buddhist meditation: mindfulness, concentration, and insight.Richard Shankman - 2015 - Oakland, CA: New Harbinger Publications.
    In The Art and Skill of Buddhist Meditation, mindfulness teacher Richard Shankman gives readers a foundational guide to the art and skill of Buddhist meditation, showing them how to construct a daily practice that unifies two major Theravada Buddhist traditions--concentration meditation and insight meditation. This new, integrative, and simple approach will help readers manage stress, quiet their busy minds, and cultivate a lasting sense of well-being.
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  31.  16
    Art and Performance in the Buddhist Visual Narratives at Bhārhut.Pia Brancaccio - 2022 - Journal of Indian Philosophy 50 (4):671-688.
    The reliefs carved on the _vedikā_ of the Bharhut _stūpa_ in the Satna District of Madhya Pradesh are some of the earliest artworks extant in India to articulate the Buddha’s life stories and the essence of his teaching in a complex visual form. This article proposes that the reliefs from Bharhut depicting episodes from Śākyamuni’s life and _jātakas_ were informed by narrative practices established in the traditions of Buddhist recitation and performance. The inscriptions engraved on the Bharhut _vedikā_ that (...)
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  32.  14
    The art of Buddhist connectivity: Organic rice farming in Thailand.Chanatporn Limprapoowiwattana - 2023 - Agriculture and Human Values 40 (3):1087-1103.
    This article analyses the interplay between the International Federation of Organic Agriculture Movements (IFOAM) standard, Buddhist socio-economic imaginaries, and values within the global production network (GPN) of organic rice. It asks, _“How do transnational standardisation and local values interact in the global production network of organic rice?”_ Little research has been conducted on the imaginaries and values embedded in the GPNs of organic food. This research aims to fill this gap by examining the transition to organic agriculture among two (...)
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  33. Buddhist Society: Their Use and Sustenance of Trade Routes, Technology and Art Forms on the basis of Antiquarian Remains from Madhya Pradesh.J. Manuel & O. P. Misra - 2005 - In G. Kamalakar & M. Veerender (eds.), Buddhism: Art, Architecture, Literature & Philosophy. Sharada Pub. House. pp. 1--215.
     
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  34.  19
    The Art of Dying is the Art of Living: Rationality in Theravada Buddhism.Susan E. Babbitt - 2021 - Philosophy East and West 71 (3):541-561.
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  35.  12
    Zen Buddhism and Its Relation to Art.Arthur Waley - 1923 - Journal of the American Oriental Society 43:75.
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  36.  12
    Christian-Buddhist Relations Revealed in Art.Jon Carter Covell - 1984 - Buddhist-Christian Studies 4:119.
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  37.  17
    Arts of China: Buddhist Cave Temples, New Researches.Michael Sullivan, Terukazu Akiyama, Saburo Matsubara & Alexander C. Soper - 1972 - Journal of the American Oriental Society 92 (1):151.
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  38.  32
    Art in Japanese Esoteric Buddhism.Glenn T. Webb, Takaaki Sawa & Richard L. Gage - 1974 - Journal of the American Oriental Society 94 (2):223.
  39. The Martial Arts and Buddhist Philosophy.Graham Priest - 2013 - Royal Institute of Philosophy Supplement 73:17-28.
    My topic concerns the martial arts – or at least the East Asian martial arts, such as karatedo, taekwondo, kendo, wushu. To what extent what I have to say applies to other martial arts, such as boxing, silat, capoeira, I leave as an open question. I will illustrate much of what I have to say with reference to karatedo, since that is the art with which I am most familiar; but I am sure that matters are much the same with (...)
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  40.  27
    The Karma of Words: Buddhism and the Literary Arts in Medieval Japan.William R. Lafleur - 1985 - Philosophy East and West 35 (3):319-320.
  41.  16
    The Arts of Contemplative Care: Pioneering Voices in Buddhist Chaplaincy and Pastoral Work ed. by Cheryl A. Giles and Willa B. Miller. [REVIEW]Richard Seager & Sid Brown - 2014 - Buddhist-Christian Studies 34:211-214.
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  42.  12
    That Thou Art: Aesthetic Soul/Bodies and Self Interbeing in Buddhism, Phenomenology, and Pragma.David Jones - 2020 - Eidos. A Journal for Philosophy of Culture 4 (3):37-47.
    The inheritance of dualism from Plato to Descartes, and since, has impoverished the human relation with nature, the world, other humans, and other species. The division of soul and body, and its counterpart of mind and body, gave us a world from which we believe ourselves to be separate from and superior to other species. This self-othering standpoint has had devastating consequences socially, politically, economically, and ecologically. This essay seeks to identify some resources in the Western tradition in phenomenology and (...)
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  43.  14
    Information, Communication and Art: Zen Buddhism and Martin Heidegger.You Xilin - 2018 - Yearbook for Eastern and Western Philosophy 2018 (3):233-249.
    AbstractFrom Karl Marx to Martin Heidegger, the dialectical relationship between technology and art has become an ontological question of social reality. Marshall McLuhan’s theory of cool-hot media provides an analytical framework for the information age. “Cool-hot media” is McLuhan’s truly original concept. However, while McLuhan determined electronic media to embrace printing media which was regarded as a typical representative of hot media, he could not foresee that electronic media is properly speaking the latest representative of the split type of hot (...)
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  44.  66
    Creating Devotional Art with Body Fragments: The Buddhist Nun Bunchi and Her Father, Emperor Gomizuno-o.Patricia Fister - 2000 - Japanese Journal of Religious Studies 27 (3-4):213-238.
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  45.  22
    The influence of Daoism, Chan Buddhism, and Confucianism on the theory and practice of East Asian martial arts.Anton Sukhoverkhov, A. A. Klimenko & A. S. Tkachenko - 2021 - Journal of the Philosophy of Sport 48 (2):235-246.
    This paper discusses the impact of East Asian philosophical ideas on the origins and development of martial arts. The article argues that the ideas of Daoist philosophy were developed into ‘soft styles’ or ‘internal schools’ that are based on the doctrine of ‘wuwei’ (action through non-action, effortless action) which follows the path of Yin. These styles are in opposition to ‘external’ or ‘hard styles’ of martial arts that follow the path of Yang. Daoist philosophy of ‘ziran’ (naturalness, spontaneity) influenced ‘animal’ (...)
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  46. Focillon, Bergson and Buddhist aesthetics : a point in Focillon's reception of Japanese art.Robert Wilkinson - 2012 - Contrastes: Revista Internacional de Filosofía 17:275-288.
    This essay focuses on a point in Henri Focillon's interpretation of the aesthetics of Japanese art. Focillon fastens very precisely on a deep difference which exists in the understanding of the idea of aesthetic contemplation in the Western and Eastern traditions. Western traditional analyses of contemplation presuppose and embody assumptions about the ontologicalultimacy of individuals that are absent from Eastern traditions in which the ultimate is conceived of as nothingness. In particular, the idea that the absolute is fully manifested in (...)
     
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  47.  3
    Archaeological Inquiry into Buddhist Music within Indian Art With Reference to the Musical Instruments.Gihyun Kwon - 2008 - The Journal of Indian Philosophy 24:83-110.
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  48.  23
    Flowing Traces: Buddhism in the Literary and Visual Arts of Japan.Masatoshi Nagatomi, William R. LaFleur & James H. Sanford - 1993 - Japanese Journal of Religious Studies 20:73-77.
  49.  9
    Correction: Christian-Buddhist Relations Revealed in Art.Samu Sunim - 1985 - Buddhist-Christian Studies 5.
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  50.  28
    Focillon, Bergson and Buddhist aesthetics: a point in Focillon's reception of Japanese art.Bob Wilkinson - 2012 - Contrastes: Supplementos 17:275-288.
    Focillon fastens exactly on a deep difference in the understanding of aesthetic contemplation in the Western and Eastern traditions. Western analyses presuppose and embody assumptions about the ontological ultimacy of individuals that are absent from Eastern traditions in which the ultimate is conceived of as nothingness. Focillon grasped this, and his views are contrasted with those of Bergson, as well as being confirmed by his contemporary, the eminent Japanese philosopher Nishida.
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