Abstract
There is a problematique about Buddhist Art. It cannot be deduced directly from the basic tenets of ethical Buddhism. Early Buddhist views forbid art as sensuous luxury. Even when Buddhists employed art for edifying ends it was essentially representative and realistic. With the changes in Buddhist system of beliefs and the rise of Buddhist philosophical schools Buddhist art came to symbolize the ideals of tranquility and Karunā - the Mahāyāna ideals par excellence. The masterpiece of the Gupta art depicting the Master in dharmacakrapravartana mudra at Sarnath or the Bodhisattva Padmapani of the Ajanta murals shows that the beauty of the Buddha image resides not in following models of worldly beauty but rather in the creation of an ideal. The medieval Buddhist art is a continuation of the achievements at Sarnath and Ajanta
Keywords Conference Proceedings  Contemporary Philosophy
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DOI wcp22200861103
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