Musical improvisation is a sophisticated activity in which a performer realizes, real-time, melodic, and rhythmic sequences in harmony with those from other musicians. The study of musical improvisation helps one to understand not only the cognition of creativity, but also the complex neuronal basis of executive functions, the relation between conscious and unconscious action, and even more. So far, the prevailing models, founded on the brain imaging method, have focused on the connection between the cortical areas and their cognitive processes. (...) Little attention, on the other hand, has been given to the huge variety of subcortical activities, especially in the basal ganglia. This fundamental subcortical component, through its implicit procedures and the role it plays in memory, is responsible to produce new information all the time, allowing the prefrontal cortex to transform a huge and disordered amount of data in explicit creative acts. The basal ganglia are strongly related to the activation of chemical signals generated by dissonance or lack of symmetry between perception and expectation, participating even in the responses to environmental demands according to the circumstances. Thus, they interact with the frontal cortex and with the limbic system, playing a key role in planning and selecting appropriate actions and in decision making. In this text, we try to explain in which sense improvisation is connected to the processes of executive functions, to creativity and to the integrated activity of cortical–subcortical areas controlling the free flow of ideas and to expressive spontaneity. Eventually, we purpose a model according to which structure and process take part at the centrencephalic space of functional integration, which, through both competing and cooperating dynamics, gives way to spontaneous composition. (shrink)

Within a general approach that implies the closely related survey of neurosciences and philosophical thought, the essays collected in the volume develop two main lines of research. The first one, thanks to the contributions of scientists and psychologists , psychoanalysists and bioengineers , allows to fix the attention on the neurobiological, psychological, psychoanalytical and physical remembering. The second one, more specifically philosophical, is declined in three different approaches. the first - with essays by Stefania Achella, Giuseppe D'Anna and Rosario Diana (...) - points to the anlysis of the role played by the rememberance and the prefiguration in the processes of identity construction. The second - with contributions from Fiorella Battaglia, Anna Donise, Sabine Marienberg and Sara Fortuna - focuses on the role of remembering in anthropology and linguistics, as well as the identification of certain diseases of memory. The third, finally - with contributions from Gabriella Baptist, Chiara de Luzenberger and Marco Boninu - tends to define the regulatory function of memory. (shrink)

The paper discusses the characteristics of Biological Intelligence (BI) and its differences with artificial intelligence. In particular the plasticity of the nervous system is considered in the different forms with special attention to deterministic and localizationist views of the brain vs holistic approaches. When memory and learning are considered the localizationist views do not offer a possible solution to a number of problems while memory may be better conceptualized in terms of categorization procedures and generalizing strategies. Finally, the problem of (...) individual variability, an important feature in terms of BI, is considered. The legitimacy of analogies between BI and AI is discussed and the necessity for an innovative approach to the field of AI is stressed. (shrink)