Suitable for students and scholars, this title challenges the assumption that skepticism, rather than established belief, lies at the heart of scientific discovery.

Even if there were widespread cross-cultural agreement on the normative issues of business ethics, corporate ethics management initiatives (e.g., codes of conduct, ethics telephone lines, ethics offices) which are appropriate in one cultural setting still could fail to mesh with the management practices and cultural characteristics of a different setting. By uncritically adopting widely promoted American practices for managing corporate ethics, multinational businesses risk failure in pursuing the ostensible goals of corporate ethics initiatives. Pursuing shared ethical goals by means of (...) culturally inappropriate management practices, in short, can undermine the effectiveness of ethics management efforts. This article explicates how several important dimensions of culture can influence the effectiveness of common ethics initiatives, and recommends the development and application of a culture-structure contingency analysis in the task of encouraging ethical behavior in global businesses. (shrink)

This article takes the suggestions by Jameson and Žižek that Hardt and Negri's recent Empire is an important `new theoretical synthesis' and a challenge to a politically complacent Cultural Studies as its starting point to explore Negri's understanding of `production'. It opens out Negri's apparent synthesis to consider the formative elements of his work: operaismo's `social factory', Marx's `Fragment on Machines' and Deleuze's figure of `control society'. The article argues that whilst Negri develops the important analytic categories of socialized and (...) affective labour, he breaks with operaismo's and Deleuze's `cramped' and `minor' interrogation of the intricacies of capitalized production to develop a problematic understanding of an emerging autonomy-in-production. In this Negri makes a strange return to the orthodox Marxian and - in an inverted way - neo-Gramscian positions which operaismo had sought to undermine; so making Empire less a synthesis of, than a break with some of the core theoretical principles of operaismo, Marx and Deleuze. (shrink)

This article strongly argues the priority of symbolic, especially discursive, action over the material order in the genesis of social things. What turns a piece of stuff into a social object is its embedment in a narrative construction. The attribution of an active or a passive role to things in relation to persons is thus essentially story-relative: nothing happens or exists in the social world unless it is framed by human performative activity. Drawing on Gibson's notion of `affordance', Harré affirms (...) that material things may be disposed towards many different usages, and may acquire multiple identities according to different narrative constructions, even though the range of their possible `existences' is constrained by certain material features. Objects acquire their full significance only if one takes account of their double role in both the `practical' order, which includes social arrangements for maintaining life, and the `expressive' order, which creates hierarchies of honour and status, and which enjoys priority over the former. Reasoning from a microsociological constructionist perspective, Harré restates his view that there is nothing else to social life but symbolic exchanges and joint management of meaning, including the meaning of things; the illusion that some thing is real is merely an effect of certain interpretational grammars which remain stable across the generations or even the centuries. (shrink)