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  1. The Stratification of Musical Rhythm.Maury Yeston - 1976 - Journal of Aesthetics and Art Criticism 35 (2):244-245.
  • A coded element model of the perceptual processing of sequential stimuli.Paul C. Vitz & Thomas C. Todd - 1969 - Psychological Review 76 (5):433-449.
  • Complexity and the representation of patterned sequences of symbols.Herbert A. Simon - 1972 - Psychological Review 79 (5):369-382.
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  • Theory of serial pattern learning: Structural trees.Frank Restle - 1970 - Psychological Review 77 (6):481-495.
  • Recursive distributed representations.Jordan B. Pollack - 1990 - Artificial Intelligence 46 (1-2):77-105.
  • The magical number seven, plus or minus two: Some limits on our capacity for processing information.George A. Miller - 1956 - Psychological Review 63 (2):81-97.
  • A Generative Theory of Tonal Music.Fred Lerdahl & Ray Jackendoff - 1987 - Journal of Aesthetics and Art Criticism 46 (1):94-98.
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  • Dynamic attending and responses to time.Mari Riess Jones & Marilyn Boltz - 1989 - Psychological Review 96 (3):459-491.
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  • Connectionism and cognitive architecture: A critical analysis.Jerry A. Fodor & Zenon W. Pylyshyn - 1988 - Cognition 28 (1-2):3-71.
    This paper explores the difference between Connectionist proposals for cognitive a r c h i t e c t u r e a n d t h e s o r t s o f m o d e l s t hat have traditionally been assum e d i n c o g n i t i v e s c i e n c e . W e c l a i m t h a t t h (...)
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  • Finding Structure in Time.Jeffrey L. Elman - 1990 - Cognitive Science 14 (2):179-211.
    Time underlies many interesting human behaviors. Thus, the question of how to represent time in connectionist models is very important. One approach is to represent time implicitly by its effects on processing rather than explicitly (as in a spatial representation). The current report develops a proposal along these lines first described by Jordan (1986) which involves the use of recurrent links in order to provide networks with a dynamic memory. In this approach, hidden unit patterns are fed back to themselves: (...)
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  • The internal representation of pitch sequences in tonal music.Diana Deutsch & John Feroe - 1981 - Psychological Review 88 (6):503-522.
  • Syntactic transformations on distributed representations.David J. Chalmers - 1990 - Connection Science 2:53-62.
    There has been much interest in the possibility of connectionist models whose representations can be endowed with compositional structure, and a variety of such models have been proposed. These models typically use distributed representations that arise from the functional composition of constituent parts. Functional composition and decomposition alone, however, yield only an implementation of classical symbolic theories. This paper explores the possibility of moving beyond implementation by exploiting holistic structure-sensitive operations on distributed representations. An experiment is performed using Pollack’s Recursive (...)
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