Abstract

Still, in this paper I’m not going to be laudatory, enthusiastic, or appreciative, but instead address the distinctly philosophical question of what a forgery is—investigate the concept of a forgery, as philosophers used to say, and sometimes still do. Only after that question and a few others have been answered should we ask the question that everyone wants to ask straight off: What, if anything, is aesthetically wrong with a forgery? Interesting as that question is, space limitations prevent me from addressing it here.