Art, Action and Ambiguity

The Monist 58 (2):327-338 (1974)
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Abstract

The title of this paper is intended to evoke several connotations. Since it will doubtless fail to do so, let me confess them explicitly and artlessly. First, the trinitarian character of the title suggests my debt to the dialectical tradition, from Hegel and Marx to Peirce and Dewey. Second, the alliterative character of the title indicates my debt to Nelson Goodman, perpetrator of the most alarming alliterations allowed in contemporary philosophy. In fact, the text of my sermon can be found in Goodman’s Languages of Art: “Talking does not make the world, or even pictures, but talking and pictures participate in making each other and the world as we know them.”

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