Film art, argument, and ambiguity

Journal of Aesthetics and Art Criticism 64 (1):33–42 (2006)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 93,098

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Analytics

Added to PP
2009-01-28

Downloads
116 (#158,343)

6 months
17 (#161,763)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Murray Smith
University of Kent

Citations of this work

Are There Definite Objections to Film as Philosophy? Metaphilosophical Considerations.Diana Neiva - 2019 - In Christina Rawls, Diana Neiva & Steven S. Gouveia (eds.), Philosophy and Film: Bridging Divides. Nova Iorque, NY, Estados Unidos: Routledge Press, Research on Aesthetics. pp. 116-134.
Socratic Film.Nicholas Diehl - 2016 - Journal of Aesthetics and Art Criticism 74 (1):23-34.
Filmmaking in the Philosophy Classroom.Nathan Andersen - 2010 - Teaching Philosophy 33 (4):375-397.

View all 7 citations / Add more citations

References found in this work

The puzzle of imaginative resistance.Tamar Szabó Gendler - 2000 - Journal of Philosophy 97 (2):55-81.
The Puzzle of Imaginative Resistance.Tamar Szabó Gendler - 2000 - Journal of Philosophy 97 (2):55.
The expression of feeling in imagination.Richard Moran - 1994 - Philosophical Review 103 (1):75-106.
The wheel of virtue: Art, literature, and moral knowledge.Noel Carroll - 2002 - Journal of Aesthetics and Art Criticism 60 (1):3–26.
Beyond mere illustration: How films can be philosophy.Thomas E. Wartenberg - 2006 - Journal of Aesthetics and Art Criticism 64 (1):19–32.

View all 8 references / Add more references