Abstract

In this dissertation I present an interpretive approach to the thought of Richard Rorty that enables us to engage constructively with aspects of his writing that are sometimes given short shrift. I contend that Rorty can be fruitfully approached as a political theorist concerned with promulgating a new picture of the political world. Reading his practice of redescription as rooted in his temperament or personal vision, I argue that this vision, understood as an imaginative reordering of the world, makes Rorty's thought of moment to political theorists, particularly those who conceive of political theory following Sheldon Wolin. Framing Rorty's work in this way allows us to approach it in a spirit of hermeneutic charity and avoid offhanded rejections. ;Reading Rorty as writing political theory helps free us from a paralyzing entanglement in questions of validity claims, and brings the political thrust of his writing to the fore. Rather than either a set of universal truths or a groundless relativism, it allows us to see Rorty's texts as political interventions: as attempts to revitalize a moribund contemporary left by spurring emotional engagement rather than detached spectatorship. It also enables us to better understand the turn in Rorty's recent work toward the thought of Emerson and Whitman and his approach to literature as a source for a distinctively American "sentimental education" aimed at forging a democratic moral community. Yet I argue the liberal utopia he imaginatively projects ultimately falls short of its transformative promise, partly because of his exclusion of individual creative energies from public life through his modified version of the public private split. That Rorty's pragmatist liberalism can be nudged out of its anxiety-rooted frame and be made to see such energies as less of a threat, and to weave them into its underlying fabric, is the underlying hope of this work