Abstract

What distinguishes aesthetic thinking from other forms of thinking, such as logical, for instance? In order to clarify this question, the following contribution deals with a reception-aesthetic problem that has been controversially discussed in English-language aesthetics for decades as the ‘paradox of fiction’. It will be shown that the intentional orientation of mind and imagination towards the non-existent, the counterfactual, and the fictive belongs to the decisive peculiarity of aesthetic thinking. Its productivity consists in the process of playing through the possible and imaginable and thereby transcending and thwarting the given and the existing.